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Record Nr. |
UNINA9910748401403321 |
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Autore |
Davidson Jane Chin |
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Titolo |
A Companion to Contemporary Art in a Global Framework |
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Pubbl/distr/stampa |
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John Wiley & Sons, Inc, 2023 |
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Newark : , : John Wiley & Sons, Incorporated, , 2023 |
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©2024 |
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ISBN |
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111984181X |
1-119-84180-1 |
1-119-84181-X |
1-119-84179-8 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (589 pages) |
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Collana |
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Blackwell Companions to Art History Series |
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Altri autori (Persone) |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Intro -- A Companion to Contemporary Art in a Global Framework -- Contents -- List of Illustrations -- Series Editor's Preface -- About the Editors -- Notes on Contributors -- Editors' Acknowledgments -- Introduction: The Eurocentrism of Contemporary Art, Staging the Project -- Part I Decades -- 1980-1990 -- 1 I Live in the Fourth Dimension When I Create Landscapes: Artist Statement -- 2 Seeing Beyond East/West Divides: Contemporary Art in and Around 1980s China -- 1990-2000 -- 3 Is There a Line that Connects All Things? Artist Statement -- 4 Why Contemporary Art Is Post-Soviet -- 2000-2010 -- 5 Art and Politics: Artist Statement -- 6 Māori and Pacific Art at the Turn of a New Millennium -- 2010-2020 -- 7 Art for Abolition: Artist Statement -- 8 Situating African Diasporic Art -- Part II Themes -- Institutions/Ontology -- 9 COLONIALISM "The Whole World in his Hands": A Decolonial Approach to European Concepts of Art -- 10 PEDAGOGY The Blank Canvas and Other Myths -- 11 CRAFT Craft and the Making of "Global" Contemporary Art -- 12 PERFORMANCE Dreams and Visions in the Interval -- 13 EMBODIMENT/MATERIALITY Love Songs (to End Hetero-Patriarchal, Settler-Colonial, Extractivism) -- |
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Politics/Public Sphere -- 14 REVOLUTION Revolution is a Circle -- 15 ART AND ITS MARKETPLACES It Was a Small World, After All -- 16 PUBLIC SPHERES The Politics of Public Space in Postrevolutionary Iran -- 17 (ANTI-)CAPITALISM The Imminent Promise and Fear of a Getaway Car -- 18 ENVIRONMENT Envisioning a More Just Future: Feminist Activist Art, Climate Change, and the Anthropocene -- Identity/Subjectivity -- 19 INDIGENEITY Global Futurisms: Prophetic Practices of Reclamation, Liberation, and Transcendence -- 20 DIASPORA Transnational Collectivities of Solidarity and Affect -- 21 GENDER/SEXUALITY Performing the Intersection: Camp and the "Cat Lady". |
22 RACE/ETHNICITY Three Forms of Appropriation: Carrie Mae Weems, Glenn Ligon, and Nao Bustamante -- 23 DISABILITY Disability Justice, Community, and Performance -- Methods/Theories -- 24 POSTCOLONIAL/DECOLONIAL Post-/Anti-/Neo-/De- Colonial Theories and Visual Analysis -- 25 MARXISM/POST-MARXISM History, Marxism, Reality, and Utopia: The Bishan Project in China (2010-2016) -- 26 CRITICAL RACE THEORY "The Blast Work": Situating Critical Race Theory in Contemporary Art and Curatorial Practice -- 27 POSTSTRUCTURALISM/POSTMODERNISM/POSTCOLONIALISM Mapping Poststructuralism, Postmodernism, and Postcolonialism -- 28 GENDER/SEX THEORY Feminist/Queer/Trans Theory and Trans Embodied Methodologies in Contemporary Art: An Intergenerational Dialogue on the Page -- 29 PERFORMANCE THEORY The "Studies Protocols" of Performance Studies -- Technology/Media -- 30 INTERNET "Bias Is Not a Bug. It's a Feature": An Interview with Hito Steyerl on Representation in the Digital Age -- 31 SOCIAL MEDIA Why Is It So Hard to Look the Other in the Eye? The Selfie and its Discontents -- 32 ALGORITHM Algorithms in Global Art and Visual Culture -- Exhibition/Collecting/Archive -- 33 MUSEUM Time, Love, and the Museum -- 34 BIENNIAL/ART FAIR Biennial as a Discursive Political System for Contemporary Art -- 35 CURATING In Residence, Incarcerated Regina José Galindo's America's Family Prison -- 36 COLLECTING The World Should Collect Itself: Collecting Art Globally (and Other Predicaments) -- 37 ARCHIVE Ghosts in the Archive: Exorcism, Resurrection and the Possibilities of Repair -- Index -- EULA. |
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