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Record Nr. |
UNINA9910480469703321 |
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Autore |
Lin James P. <1949-> |
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Titolo |
Steenrod connections and connectivity in H spaces / / James P. Lin |
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Pubbl/distr/stampa |
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Providence, Rhode Island : , : American Mathematical Society, , 1987 |
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©1987 |
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ISBN |
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Descrizione fisica |
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1 online resource (98 p.) |
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Collana |
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Memoirs of the American Mathematical Society, , 0065-9266 ; ; Volume 68, Number 369 |
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Disciplina |
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Soggetti |
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Steenrod algebra |
Connections (Mathematics) |
H-spaces |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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""Table of Contents""; ""Abstract""; ""Â0. Introduction""; ""A. Connectivity""; ""B. Steenrod connections""; ""C. Primitivity of the mod 2 cohomology""; ""D. Coalgebra structure""; ""E. Mod 2 Hurewicz map""; ""F. Nonfinite H space""; ""G. Method of proof""; ""H. The nonassociative case""; ""Â1. SubHopf Algebras of H[sup(*)] (X ; Z[sub(2)])""; ""Â2. Some factorizations in the Steenrod algebra""; ""Â3. Indeterminacy arising from doubletons""; ""Â4. Some basic theorems""; ""Â5. Q[sup(2[sup(r)] +2[sup(r)]+1[sub(tâ€?1)])] = Sq[sup(2[sup(r)]k)] Q[sup(2[sup(r)] +2[sup(r)] kâ€?1)]"" |
""Â6. Applications""""Bibliography"" |
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2. |
Record Nr. |
UNINA9910735579803321 |
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Titolo |
Materials of Culture : Approaches to Materials in Cultural Studies / / ed. by Airin Farahmand, László Munteán, Liedeke Plate |
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Pubbl/distr/stampa |
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Bielefeld : , : transcript Verlag, , [2023] |
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©2023 |
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ISBN |
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Descrizione fisica |
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1 online resource (270 p.) |
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Collana |
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Edition Kulturwissenschaft ; ; 285 |
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Soggetti |
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SOCIAL SCIENCE / Popular Culture |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Contents -- Preface -- Introduction: Materials Matter -- Part I: Materials of Art -- Fig. 1: Dora Maar, Hand-Shell, 1934. London, Tate Modern -- 1. Stitched into Material: On the Makeability of Shells -- 2. Celluloid -- Part II: Materials of Empire -- 3. Roman Concrete -- 4. Postclassical Marble: Reclaiming Flux in the Reception of Marble in Contemporary Art -- Part III: Extractivism and Toxic Colonialism -- 5. Asbestos: The Fallout of Shipbreaking in the Global South -- 6. Copper’s Suppressed History Unearthed in Otobong Nkanga’s Sensual and Embodied Art Practice -- 7. The Coloniality of Materiality: Brazilwood, or Unlearning with Anton de Kom in the Mauritshuis -- Part IV: Energyscapes of the Future -- 8. Lithium for the Metaverse: Myths of Nuclear and Digital Fusion -- 9. Harnessing the Sun in Tech-on-Climate Discourse -- Part V: Materials of the Nation -- 10. Dutch Peat -- 11. Milk: Material Entwinements and the Making and Unmaking of Healthy Bodies -- 12. Wool -- Part VI: Affordances of Edible Matter -- 13. Yes, There Are No Bananas -- 14. Coca(ine) -- Part VII: Material Practices in Digital Culture -- 15. The Ephemeral Materiality of Sound -- 16. Tracing the Voice’s Digital Materiality -- 17. Interface -- Part VIII: Enfolding the Body -- 18. Becoming-with: On Textile Companions and Fungi Friends -- 19. Clothing For/Against Walking -- 20. Mylar Foil: Blankets of Silver and Gold -- Part IX: Touching Texts -- Fig. 1: The cover of Thomas Pitfield’s The Poetry of Trees (1942). Copyright of the Pitfield Trust. Reproduced with the permission of the Pitfield Trust. |
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-- 21. An Archive of the Future: Wood in Thomas Pitfield’s The Poetry of Trees -- 22. Soft Leather, Wounded Buttons, and a Silk Ribbon: Clothing a Birgittine Rule Manuscript -- Part X: Materials of Scholarly Performance -- Fig. 1: Corridor leading to arts classrooms in school 1. Photograph by the author -- 23. The Arts Classroom -- 24. Ink on Paper -- 25. The Scholar’s Coffee -- List of Contributors |
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Sommario/riassunto |
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While the so-called material turn in the humanities and the social sciences has inspired a vibrant discourse on objects, things, and the concept of materiality in general, less attention has been paid to materials, particularly in cultural studies scholarship. With each of its chapters taking a particular material as its point of departure, this volume offers a palette of fresh approaches to materials within the realm of cultural studies. The contributors call for a materials-based perspective on culture, which has become all the more pertinent by the need for sustainability in times of climate change, energy crisis, conflict, migration, and the lingering coronavirus pandemic. |
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