| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNISA996384723003316 |
|
|
Autore |
Hardy Nathaniel <1618-1670.> |
|
|
Titolo |
Wisdomes character and counterfeit [[electronic resource] ] : deliniated in two sermons : the one on the epistle of St. James, chap. 3.17 ; the other on the gospel of St. Matth., chap. 2.8 / / by Nath. Hardy |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
London, : Printed by J.G. for John Clark, and are to be sold at his shop ..., 1656 |
|
|
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Soggetti |
|
God - Wisdom |
Sermons, English - 17th century |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
First sermon has running title: Wisdomes character ; second sermon has running title: Wisdomes counterfeit. |
Second sermon has special t.p. and separate pagination ; t.p. reads: Wisdomes counterfeit, or, Herodian policy, unmasked in a sermon ... |
Added t.p. reads: Wisdomes character, or, The Queen of graces, set forth in a sermon preached at the assizes holden at Aylesbury for the county of Buckingham, on Friday March 21 ... 1655. |
Dedicated "to the worshipfull George Tash, esq. High Sheriff of the county of Buckingham ..." |
Reproduction of original in the Harvard University Library. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNISANNIORMS2723020 |
|
|
Titolo |
Social network analysis for ego-nets / Nick Crossley ... [et al.] |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Los Angeles [etc.], : Sage, 2015 |
|
|
|
|
|
|
|
ISBN |
|
9781446267769 |
9781446267776 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
|
|
Soggetti |
|
Comunità virtuali - Ricerca - Metodologia |
Analisi delle reti sociali |
|
|
|
|
|
|
|
|
Collocazione |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
|
|
|
|
|
|
|
3. |
Record Nr. |
UNINA9910734840503321 |
|
|
Autore |
Almada Carlos De Lemos |
|
|
Titolo |
Musical Variation : Toward a Transformational Perspective / / by Carlos de Lemos Almada |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Cham : , : Springer Nature Switzerland : , : Imprint : Springer, , 2023 |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Edizione |
[1st ed. 2023.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (329 pages) |
|
|
|
|
|
|
Collana |
|
Computational Music Science, , 1868-0313 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
|
|
Soggetti |
|
Music - Mathematics |
Mathematics |
Mathematics in Music |
Applications of Mathematics |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di contenuto |
|
Part. I. Decontextualized Variation -- Chapter. 1. Basic concepts -- Chapter. 2. Decomposable variation -- Chapter. 3. Measurement of similarity -- Chapter. 4. Transformational operations -- Chapter. 5. Measurement of similarity -- Part II. Variation on time -- Chapter. 6. Grundgestalt -- Chapter. 7. Developing variation -- Part III. Analysis: Brahms –Intermezzo in A Major Op.118/2 -- Chapter. 8. Formal, harmonic, and metric structure -- Chapter. 9. Derivative analysis -- Afterword -- Further Reading -- Part. IV. Appendices -- Appendix A. Variation in non-tonal contexts -- Appendix B. MDA -- Appendix. C. Algorithms. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
This book offers an in-depth analysis of musical variation through a systematic approach, heavily influenced by the principles of Grundgestalt and developed variations, both created by the Austrian composer Arnold Schoenberg (1874-1951). The author introduces a new transformational-derivative model and the theory that supports it, specifically crafted for the examination of tonal music. The idea for this book emerged during a sabbatical at Columbia University, while the content is the product of extensive research conducted at the Federal University of Rio de Janeiro, resulting in the development of the Model |
|
|
|
|
|
|
|
|
|
|
of Derivative Analysis. This model places emphasis on the connections between musical entities rather than viewing them as separate entities. As a case study, the Intermezzo in A Major Op.118/2 by Brahms is selected for analysis. The author's goal is to provide a formal and structured approach while maintaining the text's readability and appeal for both musicians and mathematicians in the field of music theory. The book concludes with the author's recommendations for further research. |
|
|
|
|
|
| |