1.

Record Nr.

UNINA9910729732403321

Autore

Jansari Sushma

Titolo

Chandragupta Maurya: The Creation of a National Hero in India

Pubbl/distr/stampa

UCL Press

Descrizione fisica

1 online resource (240 p.)

Disciplina

934.04092

Soggetti

Emperors

Heroes

History

Imperialism

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Sommario/riassunto

We take it for granted that some historical figures become heroes, and others do not. Chandragupta Maurya evolved from obscure ruler to contemporary national icon. The key moment in the making of this Indian hero was a meeting by the banks of the River Indus between Chandragupta and Seleucus, founder of the Seleucid empire and one of Alexander the Great's generals, in  c .305-3 BC. This significant event was a moment of peace-making at the end of conflict. But no reliable account exists in early sources, and it is not even clear which ruler was victorious in battle. This uncertainty enabled British and Indian historians of the nineteenth and twentieth centuries to interpret the sources in radically different ways. With Chandragupta representing India and Seleucus standing in for Britain, British scholars argued that Seleucus defeated Chandragupta, while Indian academics contended the opposite.   The writing and reception of history fundamentally influences how we engage with the past, and the evolving colonial and post-colonial relationship between Britain and India is crucial here. In India, the image of Chandragupta as an idealised hero who vanquished the foreign invader has prevailed and found expression in contemporary popular culture. In plays, films, television series, comic books and historical novels, Chandragupta is the powerful and virtuous



Hindu ruler  par excellence . The path to this elevated standing is charted in this book.   <strong>Praise for  Chandragupta Maurya </strong>  'This is an absorbing tale and Jansari does well to carry the reader from ancient Greek texts to present-day Indian films and comics and to engage critically with visual as well as textual material.'   Journal of Colonialism and Colonial History