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1. |
Record Nr. |
UNINA990005795480403321 |
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Autore |
Bengtson, Hermann |
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Titolo |
1.: Republik und Kaiserzeit bis 284 N. Chr. / von Hermann Bengston |
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Pubbl/distr/stampa |
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München : C. H. Beck, 1967 |
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Descrizione fisica |
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Collana |
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Handbuch der Altertumswissenschaft ; 4 |
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Disciplina |
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Locazione |
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Collocazione |
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930 HAW III 5 (1) |
930 HAW III 5 (1) bis |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910728653703321 |
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Autore |
Monagle Clare |
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Titolo |
European Women's Letter-Writing from the 11th to the 20th Centuries |
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Pubbl/distr/stampa |
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Amsterdam : , : Amsterdam University Press, , 2023 |
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©2023 |
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ISBN |
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1-04-079551-X |
1-003-69507-8 |
1-04-080043-2 |
90-485-5642-2 |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (297 pages) |
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Altri autori (Persone) |
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JamesCarolyn |
GarriochDavid |
CaineBarbara |
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Disciplina |
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Soggetti |
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Letter writing - Europe - History |
Women - Europe - Social conditions - History |
HISTORY / Medieval |
Anthologies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter -- Table of Contents -- Introduction -- 1. Authority and the Self: the Letters of Medieval Women -- 2. The Rise of Vernacular Letter-writing -- 3. The Triumph of the Familiar Letter -- 4. Intimate Letters -- Epilogue: Women's Letters come to an End -- Acknowledgements -- Bibliography -- Index |
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Sommario/riassunto |
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This book reveals the importance of personal letters in the history of European women between the year 1000 and the advent of the telephone. It explores the changing ways that women used correspondence for self-expression and political mobilization over this period, enabling them to navigate the myriad gendered restrictions that limited women's engagement in the world. Whether written from the medieval cloister, or the renaissance court, or the artisan's workshop, or the drawing room, letters crossed geographical and social distance and were mobile in ways that women themselves could not always be. Women wrote to govern, to argue, to plead, and to demand. They also wrote to express love and intimacy, and in so doing, to explain and to understand themselves. This book argues that the personal letter was a crucial place for European women's self-fashioning, and that exploring the history of their letters offers a profound insight into their subjectivity and agency over time. |
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3. |
Record Nr. |
UNINA9910159515503321 |
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Autore |
Suttie Isy |
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Titolo |
Actual One, The : How I Tried, and Failed, to Avoid Adulthood Forever |
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Pubbl/distr/stampa |
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ISBN |
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Lingua di pubblicazione |
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Formato |
Musica |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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A hilarious, razor-sharp debut memoir about the moment when you realize that your friends have all grown up and left you behind, for listeners of Caitlin Moran's How To Be A Woman, Jenny Lawson's Let's Pretend This Never Happened, and Kelly Williams Brown's Adulting.Isy Suttie wakes up one day in her late twenties to discover that the deal she'd struck with her friends, to put off growing up for as long as possible, had been entirely in her head. Everyone around her is suddenly into mortgages, farmers' markets, and going off the Pill, rather than running naked into the sea or getting hammered in a country pub with eighty-year-old men.After a particularly crushing breakup precipitated by Isy's gifting of a human-size papier-m ch penguin to her boyfriend, her dearest friend advises Isy not to worry: the next guy she meets will be The Actual One.Heartened by this promise, Isy decides to keep delaying the onset of adulthood, whether that means standing on the side of a highway in nothing but an old fur coat and sneakers, dating a man who speaks only in rhyme, or conquering her fears of Alpine skiing by wildly overestimating her athletic ability. Insightful and laugh-out-loud funny, The Actual One is an ode to the confusing wilderness of your late twenties, alongside a quest for a genuinely good relationship . . . or at the very least, a good story to tell. |
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