1.

Record Nr.

UNINA9910726276203321

Autore

Heffes Gisela

Titolo

Visualizing Loss in Latin America [[electronic resource] ] : Biopolitics, Waste, and the Urban Environment / / by Gisela Heffes

Pubbl/distr/stampa

Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2023

ISBN

9783031288319

9783031288302

Edizione

[1st ed. 2023.]

Descrizione fisica

1 online resource (284 pages)

Collana

Literatures, Cultures, and the Environment

Altri autori (Persone)

WrayGrady C

Disciplina

860.998

Soggetti

Ecocriticism

Latin American literature

Literature, Modern - 20th century

Literature, Modern - 21st century

Culture - Study and teaching

Ethnology - Latin America

Culture

Cities and towns - History

Latin American/Caribbean Literature

Contemporary Literature

Visual Culture

Latin American Culture

Urban History

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di contenuto

1: Introduction -- 2: Destruction: The Garbage Dump as Global Biopolitical Trope -- 3: Sustainability: Waste and its Social, Cultural, and Aesthetic Re-significations -- 4: Preservation: Nature and Urbanism -- 5: Conclusion.

Sommario/riassunto

Visualizing Loss in Latin America engages with a varied corpus of textual, visual, and cultural material with specific intersections with the natural world, arguing that Latin American literary and cultural production goes beyond ecocriticism as a theoretical framework of



analysis. Gisela Heffes poses the following crucial question: How do we construct a conceptual theoretical apparatus to address issues of value, meaning, tradition, perspective, and language, that contributes substantially to environmental thinking, and that is part and parcel of Latin America? The book draws attention to ecological inequality and establishes a biopolitical, ethics-based reading of Latin American art, film, and literature that operates at the intersection of the built environment and urban settings. Heffes suggests that the aesthetic praxis that emerges in/from Latin America is permeated with a rhetoric of waste—a significant trait that overwhelmingly defines it.