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1. |
Record Nr. |
UNINA9910679898303321 |
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Autore |
Allen Adair & |
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Titolo |
Time Management and Personal Development [[electronic resource]] |
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Pubbl/distr/stampa |
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London, : Thorogood Publishing, 1999 |
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ISBN |
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Descrizione fisica |
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1 online resource (152 p.) |
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Disciplina |
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Soggetti |
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Businesspeople -- Time management |
Executives -- Time management |
Self-actualization (Psychology) |
Self-management (Psychology) |
Success in business |
Time management |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Contents; About this book; What are your objectives?; Part one Time management; 1. Philosophy; 2. Develop a personal sense of time; 3. Identify long-term goals; 4. Make middle-term plans; 5. Make the best use of your best time; 6. Organise office work; 7. Manage meetings; 8. Delegate effectively; 9. Make use of committed time; 10. Manage your health; Part two Personal development; Philosophy; 1. Where you are now; 2. How you can learn and develop yourself; 3. Where you want to be; 4. Evaluate, check, review and update; 5. Your personal profile |
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Sommario/riassunto |
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This text provides a set of tools and techniques and a framework in which to organise both professional and personal development. Key features include: organising the day more effectively; identifying and controlling major time-wasters; and improving the quality of working time. |
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2. |
Record Nr. |
UNINA9910725065603321 |
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Autore |
Brar Dhanveer Singh |
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Titolo |
Teklife, Ghettoville, Eski: The Sonic Ecologies of Black Music in the Early 21st Century |
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Pubbl/distr/stampa |
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[Place of publication not identified], : Goldsmiths Press, , 2021 |
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ISBN |
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Descrizione fisica |
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1 online resource (155 pages) |
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Collana |
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Goldsmiths Press Sonics Series |
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Disciplina |
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Soggetti |
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City planning |
Electronic music |
Hearing |
Sound |
Urbanism |
Discursive works |
Critical Writing |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Archived and cataloged by Library Stack |
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Nota di contenuto |
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Mineral interiors : house, techno, jungle -- The Blackness of Black electronic dance music -- Teklife -- Ghettoville -- Eski. |
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Sommario/riassunto |
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"Teklife, Ghettoville, Eski argues that Black electronic dance music produces sonic ecologies of Blackness that expose and reorder the contemporary racialization of the urban-ecologies that can never be reduced simply to their geographical and racial context. Dhanveer Singh Brar makes the case for Black electronic dance music as the cutting-edge aesthetic project of the diaspora, which due to the music's class character makes it possible to reorganize life within the contemporary city. Closely analysing the Footwork scene in South and West Chicago, the Grime scene in East London, and the output of the South London producer Actress, Brar pays attention to the way each of these critically acclaimed musical projects experiments with aesthetic form through an experimentation of the social. Through explicitly theoretical means, Brar foregrounds the sonic specificity of 12" records, EPs, albums, radio broadcasts, and recorded performances to make the case that Footwork, Grime, and Actress dissolve racialized spatial |
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constraints that are thought to surround Black social life. Pushing the critical debates concerning the phonic materiality of Blackness, undercommons, and aesthetic sociality in new directions, Brar rethinks these concepts through concrete examples of contemporary Black electronic dance music production that allows for a theorization of the way Footwork, Grime, and Actress have-through their experiments in Blackness-generated genuine alternatives to the functioning of the city under financialized racial capitalism."-- |
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