1.

Record Nr.

UNINA9910712914603321

Titolo

An annotated bibliography on proton affinities / / K. Hartman [and others] ; Institute for Materials Research

Pubbl/distr/stampa

Washington : , : U.S. Dept. of Commerce, National Bureau of Standards, Institute for Materials Research, , 1976

Descrizione fisica

1 online resource (1 unnumbered page, 49 pages, 1 unnumbered page)

Collana

NBSIR ; ; 76-1061

Altri autori (Persone)

HartmanKwi

Soggetti

Acids - Basicity

Bibliographies.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Contributed record: Metadata reviewed, not verified. Some fields updated by batch processes.

Prepared for National Heart, Lung and Blood Institute, National Institutes of Health.

Item 247.

Nota di bibliografia

Bibliography with molecule and author index.



2.

Record Nr.

UNINA9910956251403321

Autore

Torevell David

Titolo

Liturgy and the beauty of the unknown : another place / / David Torevell

Pubbl/distr/stampa

Aldershot, Hants, England ; ; Burlington, VT, : Ashgate, c2007

ISBN

1-351-92183-5

1-315-25036-5

1-281-20840-X

9786611208400

0-7546-8679-5

Descrizione fisica

1 online resource (212 p.)

Disciplina

264.001

Soggetti

Liturgical movement - Catholic Church

Aesthetics - Religious aspects - Catholic Church

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

First published 2007 by Ashgate Publishing.

Nota di bibliografia

Includes bibliographical references (p. [187]-197) and index.

Nota di contenuto

The movement of return -- The movement of interiority -- The movement in the image -- The movement of desire -- The movement towards silent mystery -- The movement of aesthetics.

Sommario/riassunto

This book breaks new ground by suggesting that liturgy is the means par excellence by which an experience of beauty is communicated. Drawing from both secular and religious understandings, in particular the mystical and apophatic tradition, the book demonstrates how liturgy has the potential to achieve the one ultimately reliable form of beauty because its embodied components are able to reflect the disturbing beauty of the One to whom worship is always offered. Such components rely on understanding the aesthetic dynamics upon which liturgy relies.