| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910706103103321 |
|
|
Autore |
McKee Herbert C. |
|
|
Titolo |
Development of sample preparation methods for analysis of marine organisms / / by Herbert C. McKee and David S. Tarazi |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Washington, D.C. : , : Office of Research and Development, U.S. Environmental Protection Agency, , 1974 |
|
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (iii, 59 pages) : illustrations |
|
|
|
|
|
|
Collana |
|
Ecological research series ; ; EPA-660/3-74-026 |
|
|
|
|
|
|
Soggetti |
|
Organic water pollutants - Measurement |
Marine pollution - Measurement |
Fishes - Effect of water pollution on - Measurement |
Marine animals |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Prepared for Office of Research and Development, U.S. Environmental Protection Agency." |
"Project Officer: Dr. William S. Hodgkiss." |
"January 1974." |
|
|
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references (pages 55-59). |
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910815329303321 |
|
|
Titolo |
Audionarratology : interfaces of sound and narrative / / edited by Jarmila Mildorf and Till Kinzel |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Berlin, [Germany] ; ; Boston [Massachusetts] : , : De Gruyter, , 2016 |
|
©2016 |
|
|
|
|
|
|
|
|
|
ISBN |
|
3-11-047225-2 |
3-11-047275-9 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (276 p.) |
|
|
|
|
|
|
Collana |
|
Narratologia : Contributions to Narrative Theory, , 1612-8427 ; ; Volume 52 |
|
|
|
|
|
|
|
|
Classificazione |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references at the end of each chapters and index. |
|
|
|
|
|
|
|
|
Nota di contenuto |
|
Frontmatter -- Preface and Acknowledgments -- Table of Contents -- Audionarratology: Prolegomena to a Research Paradigm Exploring Sound and Narrative / Mildorf, Jarmila / Kinzel, Till -- Music and Storytelling -- Music in Multimodal Narratives: The Role of the Soundtrack in Digital Stories / Requejo, M. Dolores Porto -- Staging the Ghost Blend in Two Versions of the Ballad "Big Joe and Phantom 309" / Martínez, M. Ángeles -- "Put the Heart Into it!": Narrative in Country Music and the Blues / Palmer, Alan -- Animae Partus: Conceptual Mythopoeisis, Progressive Rock, and the Many Voices of Pain of Salvation's BE / Wierschem, Markus -- Sound Art -- A Narratology of Audio Art: Telling Stories by Sound / Huwiler, Elke -- A Narratology of Radio Drama: Voice, Perspective, Space / Lutostański, Bartosz -- Voice and Sound in the Anti-Narrative Radio Play / Bernaerts, Lars -- Disappearing Sounds: Poetry, Noise and Narrative / Skoulding, Zoë -- Aural Energies in Rimini Protokoll's Call Cutta: Sound, Documentary, Performance and Narratological Aspects of "The World's First Mobile Phone Theatre" / Festjens, Thijs -- Sound, Narrative and Immersion -- Hearing Storyworlds: How Video Games Use Sound to Convey Narrative / Domsch, Sebastian -- Voicing the Split Narrator: Readers' Chores in Toni Morrison's "Recitatif" / Delazari, Ivan -- Audiobooks and Print |
|
|
|
|
|
|
|
|
|
|
|
Narrative: Similarities in Text Experience / Kuzmičová, Anežka -- Pictures into Sound: Aural World-Making in Art Gallery Audio Guides / Mildorf, Jarmila -- Notes on Contributors -- Index |
|
|
|
|
|
|
Sommario/riassunto |
|
Audionarratology is a new 'postclassical' narratology that explores interfaces of sound, voice, music and narrative in different media and across disciplinary boundaries. Drawing on sound studies and transmedial narratology, audionarratology combines concepts from both while also offering fresh insights. Sound studies investigate sound in its various manifestations from disciplinary angles as varied as anthropology, history, sociology, acoustics, articulatory phonetics, musicology or sound psychology. Still, a specifically narrative focus is often missing. Narratology has broadened its scope to look at narratives from transdisciplinary and transmedial perspectives. However, there is a bias towards visual or audio-visual media such as comics and graphic novels, film, TV, hyperfiction and pictorial art. The aim of this book is to foreground the oral and aural sides of storytelling, asking how sound, voice and music support narrative structure or even assume narrative functions in their own right. It brings together cutting-edge research on forms of sound narration hitherto neglected in narratology: radio plays, audiobooks, audio guides, mobile phone theatre, performance poetry, concept albums, digital stories, computer games, songs. |
|
|
|
|
|
|
|
| |