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Record Nr. |
UNINA9910704966503321 |
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Autore |
Kosar Douglas |
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Titolo |
Laboratory evaluation of energy recovery ventilators / / prepared by D. Kosar, Gas Technology Institute for the Building America Partnership for Improved Residential Construction |
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Pubbl/distr/stampa |
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Golden, CO : , : U.S. Department of Energy, Energy Efficiency & Renewable Energy, Building Technologies Program, , 2016 |
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Descrizione fisica |
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1 online resource (x, 30 pages) : color illustrations |
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Soggetti |
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Heat recovery - Equipment and supplies - Evaluation |
Air quality - Measurement |
Buildings - Environmental engineering |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"November 2016." |
"Prepared for the National Renewable Energy Laboratory on behalf of the U.S. Department of Energy's Building America Program, Office of Energy Efficiency and Renewable Energy." |
NREL Technical Monitor: Stacey Rothgeb. |
"DOE/GO-102016-4921." |
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Nota di bibliografia |
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Includes bibliographical references (pages 26-27). |
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2. |
Record Nr. |
UNINA9910822252603321 |
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Titolo |
The artist as curator / / edited by Celina Jeffery |
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Pubbl/distr/stampa |
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Bristol, UK ; ; Chicago, USA : , : Intellect, , 2015 |
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ISBN |
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1-78320-339-0 |
1-78320-338-2 |
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Descrizione fisica |
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1 online resource (214 p.) |
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Disciplina |
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Soggetti |
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Art - Exhibition techniques |
Artists as art museum curators |
Curatorship |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Cover; Half-title; Title; Copyright; Contents; Acknowledgements; Foreword; Introduction; Chapter 1: Paolozzi's Lost Magic Kingdoms: The Metamorphosis of Ordinary Things; Opening: The Limits of Objectivity; Commission: Metaphors and Objections; Technologies and Time: Exhibition/Catalogue; Obsessions: Heads and Images; Irony, Authenticity and the Stereotype; Memento Mori: Surrealism and Death; An Anthropological Imagination; A Social Critique of Waste; Images of Conflict and Combat; A Cosmic Philosophy: Blueprints for a New Museum; Acknowledgement; References; Note |
Chapter 8: Curating the City: Collectioneering and the Affects of DisplayTempting Provenance; Material Constellations; Rhetorics of Display; A Post-Medium Wunderkammer; Typologies of Heterogeneity; References; Notes; Chapter 9: Artists Curating the Expedition; References; Notes; Contributors; Index; BackCover |
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Sommario/riassunto |
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In recent years, the museum and gallery have increasingly become self-reflexive spaces, in which the relationship between art, its display, its creators, and its audience is subverted and democratized. |
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