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1. |
Record Nr. |
UNINA9910702528903321 |
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Autore |
Diller Jesse D (Jesse Dennis) |
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Titolo |
Testing American chestnuts for blight resistance / / [Jesse D. Diller] |
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Pubbl/distr/stampa |
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Upper Darby, Pennsylvania : , : Department of Agriculture, Forest Service, Northeastern Forest Experiment Station, , 1957 |
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Descrizione fisica |
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1 online resource (3 pages) : map |
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Collana |
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Forest research notes / Northeastern Forest Experiment Station ; ; no. 74 |
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Soggetti |
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American chestnut - Diseases and pests |
Endothia parasitica |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from title screen (viewed Nov. 26, 2014). |
Publication pre-dates Federal Depository Library Program (FDLP) item numbers. No FDLP item number has been assigned |
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Nota di bibliografia |
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Includes bibliographical references. |
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2. |
Record Nr. |
UNINA9910349539903321 |
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Autore |
Golub Spencer |
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Titolo |
Heidegger and Future Presencing (The Black Pages) / / by Spencer Golub |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2019 |
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ISBN |
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Edizione |
[1st ed. 2019.] |
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Descrizione fisica |
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1 online resource (261 pages) |
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Disciplina |
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Soggetti |
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Philosophy of mind |
Self |
Experimental films |
Performing arts |
Theater |
Philosophy of the Self |
Experimental Film |
Theatre and Performance Arts |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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1.Page (Rectangle) -- 2.Book (Decomposition) -- 3. Clock (Time's Pre-Sequels) -- 4. Horse (Why Is There Something Else Rather Than Something?) -- 5. Human (Being). |
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Sommario/riassunto |
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"Golub's novel interpretative approach introduces philosophical thinking to the fields of literature, film, and the performative arts, and by that deepens and enriches the theoretical discussion taking place within these fields." -Dror Pimentel, Senior Lecturer, Bezalel Academy of Art and Design Jerusalem, Israel This book applies Heidegger's writings to experimental fictions and film genres in order to study a being-there that performs itself beyond liveness and a future that is already here. Theatrical mise-en-scène is analyzed as a way of modeling the Heideggerian ontological-existential, exchanging a deeper presencing for the fictional "now" of liveness. The book is |
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organized around ostensible objects that are in fact things-as-such and performs its theme via time-traveling, interruptions, decompositions, incompleteness, failure, geometric patterning, and above all black pages first cited in Tristram Shandy. This is a nuanced, original work that combines unexpected sources with even more unexpected writing, imagery, and correspondences. It is part of Golub's ongoing project of lyrically reimagining philosophy and the mise-en-scène of theatrical performance (a presence-room of consciousness) in light of one another. |
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