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1. |
Record Nr. |
UNINA9910699600703321 |
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Autore |
Brown Clifford A (Clifford Alan) |
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Titolo |
Acoustic efficiency of azimuthal modes in jet noise using chevron nozzles [[electronic resource] /] / Clifford A. Brown and James Bridges |
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Pubbl/distr/stampa |
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Cleveland, Ohio : , : National Aeronautics and Space Administration, Glenn Research Center, , [2006] |
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Descrizione fisica |
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1 online resource (14 pages) : color illustrations |
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Collana |
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Altri autori (Persone) |
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Soggetti |
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Jet aircraft noise |
Acoustic properties |
Acoustics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from title screen (viewed on Nov. 19, 2010). |
"December 2006." |
"Prepared for the 12th Aeroacoustics Conference cosponsored by the American Institute of Aeronautics and Astronautics and the Confederation of European Aerospace Societies Cambridge, Massachusetts, May 8-10, 2006." |
"AIAA-2006-2654." |
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Nota di bibliografia |
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Includes bibliographical references (page 14). |
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2. |
Record Nr. |
UNINA9910165049803321 |
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Autore |
Brooker Peter |
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Titolo |
Bertolt Brecht : dialectics, poetry, politics / / Peter Brooker |
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Pubbl/distr/stampa |
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Abingdon, Oxon ; ; New York : , : Routledge, , 2017 |
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ISBN |
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Descrizione fisica |
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1 online resource (272 pages) |
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Collana |
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Disciplina |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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First published in 1988 by Croom Helm. |
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Nota di contenuto |
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pt. 1. Dialectics and drama -- part 2. In and above the stream -- part 3. Marxist art and critical attitudes -- part 4. The Marxist artist in socialist Berlin. |
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Sommario/riassunto |
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First published in 1988, this books argues with received accounts to reclaim Brecht's emphasis on his self-described 'dialectical theatre', re-examining firstly the concepts of Gestus and Verfremdung and their realisation in Brecht's poetry in terms of his attempt to consciously apply the methods of dialectical materialism to art and cultural practice. The author also takes issue with the customary view of Brecht's career and politics which sees him as compromising either with Communist party dogma or bourgeois aesthetics, to find developing parallels between Brecht's political and artistic though and the critical dialectics of Marx, Lenin and Mao. This development is examined in later chapters in relation to the early and late plays, The Measures Taken and Days of the Commune as well as in relation to Brecht's changed circumstances in the years of war-time exile and in post-war East Germany. |
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