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1. |
Record Nr. |
UNINA9910672439503321 |
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Autore |
Liveriero Federica |
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Titolo |
Relational Liberalism : Democratic Co-Authorship in a Pluralistic World / / by Federica Liveriero |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Springer, , 2023 |
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ISBN |
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9783031227431 |
9783031227424 |
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Edizione |
[1st ed. 2023.] |
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Descrizione fisica |
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1 online resource (301 pages) |
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Collana |
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Philosophy and Politics - Critical Explorations, , 2352-8389 ; ; 24 |
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Disciplina |
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Soggetti |
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Political science - Philosophy |
Political science |
Social sciences - Philosophy |
Law - Philosophy |
Political Philosophy |
Political Science |
Social Philosophy |
Political Theory |
Philosophy of Law |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Introduction -- Political Legitimacy Under Epistemic Constraints -- An Epistemic Reading of the Ideal of Co-Authorship -- Justification Under Nonideal Circumstances: Reflective Agreement and Relational Liberalism -- The Ideal of Public Justification Revisited -- Compromises for a Pluralistic World -- A Case Study: Extending Marriage Rights to Same-Sex Couples -- Conclusion. |
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Sommario/riassunto |
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This book investigates the unresolved issue of democratic legitimacy in contexts of pervasive disagreement and contributes to this debate by defending a relational version of political liberalism that rests on the ideal of co-authorship. According to this proposal, democratic legitimacy depends upon establishing appropriate interactions among |
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citizens who ought to ascribe to one another the status of putative practical and epistemic authorities. To support this relational reading of political liberalism, the book proposes a revised account of the civic virtue of reasonableness along with an investigation of the epistemic-specific dimension of political equality. By engaging with political epistemology and social theory, this book explores ways to address inherent tensions within the liberal paradigm, using the following strategies of addressing these tensions: first, it defends a twofold model of legitimacy that distinguishes the goals, methodologies, and justificatory tasks of both ideal and nonideal phases of the two-level justificatory framework; second, it contends that democratic legitimacy requires an engaged and contextual critical appraisal of the injustices that characterize our daily social lives, illustrating how structural forms of injustice represent a profound betrayal of the liberal ideal of democratic legitimacy. |
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2. |
Record Nr. |
UNINA9910972250803321 |
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Autore |
Sanden Paul |
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Titolo |
Liveness in modern music : musicians, technology, and the perception of performance / / Paul Sanden |
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Pubbl/distr/stampa |
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New York : , : Routledge, , 2013 |
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ISBN |
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1-136-15528-7 |
1-283-97325-1 |
0-203-07851-9 |
1-136-15656-9 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (221 p.) |
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Collana |
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Routledge research in music |
Routledge research in music ; ; 5 |
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Disciplina |
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Soggetti |
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Music - Performance - History |
Musical perception |
Music - Psychological aspects |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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A theory of liveness in mediatized music -- Hearing Glenn Gould's body : corporeal liveness in recorded music -- Reconsidering fidelity : authenticity, historicism, and liveness in the music of the White Stripes -- Interactive liveness in live electronic music -- Virtual liveness and sounding cyborgs : John Oswald's "Vane" -- Performing cyborgs : the flaying of Marsyas and turntablism. |
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Sommario/riassunto |
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This study investigates the idea and practice of liveness in modern music. Understanding what makes music live in an ever-changing musical and technological terrain is one of the more complex and timely challenges facing scholars of current music, where liveness is typically understood to represent performance and to stand in opposition to recording, amplification, and other methods of electronically mediating music. The book argues that liveness itself emerges from dynamic tensions inherent in mediated musical contexts--tensions between music as an acoustic human utterance, and musical sound as something produced or altered by machines. Sanden analyzes liveness in mediatized music (music for which electronic mediation plays an intrinsically defining role), exploring the role this concept plays in defining musical meaning. In discussions of music from both popular and classical traditions, Sanden demonstrates how liveness is performed by acts of human expression in productive tension with the electronic machines involved in making this music, whether on stage or on recording. Liveness is not a fixed ontological state that exists in the absence of electronic mediation, but rather a dynamically performed assertion of human presence within a technological network of communication. This book provides new insights into how the ideas of performance and liveness continue to permeate the perception and reception of even highly mediatized music within a society so deeply invested, on every level, with the use of electronic technologies. |
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