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1. |
Record Nr. |
UNINA9910641195003321 |
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Autore |
Bernardi Guillaume |
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Titolo |
Scènes baroques d’aujourd’hui : La mise en scène baroque dans le paysage culturel contemporain / / Céline Candiard, Julia Gros de Gasquet |
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Pubbl/distr/stampa |
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Lyon, : Presses universitaires de Lyon, 2020 |
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ISBN |
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Descrizione fisica |
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1 online resource (316 p.) |
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Altri autori (Persone) |
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BœufPatrick Le |
BovetJeanne |
CandiardCéline |
CavailléFabien |
CornicSylvain |
Deschamps-SeguraMarceau |
GrammontHéloïse |
GreenEugène |
Gros de GasquetJulia |
Gros de GasquetJulia |
HazebroucqHubert |
HervéStéphane |
Lapeyre-DesmaisonChantal |
LouvatBénédicte |
MassinBéatrice |
NarveyBenjamin |
NguyenNick |
SurgersAnne |
UrrutiaguerDaniel |
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Soggetti |
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Theater |
Dance |
réappropriation |
expression artistique |
artiste contemporain |
Eugène Green |
Benjamin Lazar |
art théâtral |
danse |
musique |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Tout le monde connaît les pièces de Molière ou de Corneille ; ce sont ces « classiques » et d’autres œuvres moins célèbres des xvie, xviie et xviiie siècles que le mouvement artistique baroque se réapproprie en explorant les codes de jeu, les gestes et les modes de profération des interprètes de l’époque. Cet ouvrage a pour objectif de dresser un état des lieux de la mise en scène baroque aujourd’hui. Or l’entreprise n’est pas neutre, car le baroque contemporain fait l’objet de débats féroces, aussi bien en ce qui concerne sa définition que sa réception. L’analyse se construit autour de plusieurs thèmes : l’importance des autres arts vivants se réclamant du courant baroque, notamment la musique et la danse, le rôle éducatif de ce mouvement théâtral et sa place au sein de l’institution. Elle se nourrit d’une comparaison avec le théâtre élisabéthain outre-Manche et de témoignages d’artistes contemporains, parmi lesquels Eugène Green. S’appuyant sur une réflexion collective où se font entendre plusieurs voix, venues de la scène ou des universités, des salles de classe ou des sociétés de production, ce livre élabore une cartographie précise des interrogations qui irriguent la mise en scène baroque aujourd’hui. Les champs du savoir et du spectacle vivant sont ainsi réunis, s’éclairant l’un l’autre et témoignant de la réussite de ce projet, car c’est de cette façon qu’est né et que continue de s’inventer le théâtre baroque. |
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2. |
Record Nr. |
UNINA9910774791303321 |
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Autore |
Kroger Markus |
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Titolo |
Extractivisms, existences and extinctions : monoculture plantations and Amazon deforestation / / Markus Kröger |
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Pubbl/distr/stampa |
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Abingdon, Oxon : , : Routledge, , 2021 |
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©2021 |
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ISBN |
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1-00-310297-2 |
1-000-47384-8 |
1-003-10297-2 |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (xx, 155 pages) : illustrations |
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Collana |
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Rethinking Globalizations |
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Disciplina |
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Soggetti |
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Agricultural industries - Social aspects - Brazil |
Economic development - Environmental aspects - Brazil |
Environmental protection - Brazil - Citizen participation |
Indigenous peoples - Brazil - Social conditions |
Mineral industries - Social aspects - Brazil |
Natural resources - Social aspects - Brazil |
Political ecology - Brazil |
Brazil Economic conditions 1985- |
Brazil Environmental conditions 21st century |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Extractivisms, existences and extinctions The political economy of existences and extractivisms Four key questions for the study of existences : the agroextractivist monocultures in Mato Grosso Conclusions: Global extractivisms, the world-ecology and existential redistributions |
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Sommario/riassunto |
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This book explores the existential redistributions that extractivist frontiers create, going beyond existing studies by bringing into the English-language discussion much of the wisdom from Latin American rural and forest communities' understandings of extractivist phenomena, and the destruction and changes in lives and lived environments they create.The author explores the many different types |
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of extractivism, ranging from agroextractivist monocultures to mineral extraction, and analyzes the differences between them. The existential transformations of Brazil's Amazon and Cerrado regions, previously inhabited by Indigenous people but now being deforested by colonizers who expand soybean plantations, are analyzed in detail. The author also compares extractivisms with the local and broader existential changes through global production networks and their shifts, produced by monoculture plantation-based extractivist operations. Anchored in the author's own ethnographic data and comparison of lessons across multiple extractivist frontiers, the chapters integrate the many accounts of violence, and onto-epistemic and moral changes in extractivist enclaves, looking at these with the help of political ontology. The book offers details on how to characterize and compare different types and degrees of extractivisms and anti-extractivisms.This transdisciplinary book provides new organizing concepts and theoretical frameworks for starting to analyze the unfolding natural resource politics of the post-coronavirus era, the advancing climate emergency, and the ever more chaotic multi-polar world. It will be of interest to students and scholars in the fields of international development, global value chains, political economy, Latin American Studies, political ecology, and international trade, as well as anyone engaged with the practical and political issues related to globalization. |
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