1.

Record Nr.

UNISA990003450490203316

Autore

MASCIOCCHI, Pierpaolo

Titolo

Valutazione e organizzazione dei luoghi di lavoro [[Documenti elettronici]] : contiene: programma per la valutazione delle condizioni di lavoro, formulario / Pierpaolo Masciocchi

Pubbl/distr/stampa

Santarcangelo di Romagna : Maggioli, 2009

Descrizione fisica

1 CD-ROM ; 12 cm

Disciplina

344.450465

Soggetti

Lavoro - Sicurezza - Legislazione

Collocazione

XVIII.GIU. 38

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910637770503321

Autore

Eberle Helga

Titolo

Studien zu Cord Borgentrik : 'Regina Coeli' Im Werk des Bildschnitzers zwischen Tradition und Kirchenreform

Pubbl/distr/stampa

Universitätsverlag Göttingen, 2022

Descrizione fisica

1 online resource

Soggetti

The Arts

Lingua di pubblicazione

Tedesco

Formato

Materiale a stampa

Livello bibliografico

Monografia

Sommario/riassunto

Cord Borgentrik (about 1430-1501) was a quite successful image carver with an own large studio in Braunschweig in the second half of the 15th century. Traces of his activity which show the influence of



Dutch realism are to be found in the region of Braunschweig, in Westphalia, in the region around Goettingen, Gandersheim, and in Halle.  The study discusses two of his major altarpieces that have survived. It focusses on how iconography and spiritual message of the works are dependent on the ideas of Borgentrik´s monastic commissioners. The Mary Retable of the parish church of Hemmerde in Westphalia which was completed in 1483 and even signed by Borgentrik (now in the Städtische Museum Braunschweig) was commissioned by the Premonstratensian monks of the monastery of Scheda, whereas the Mary Retable of St. Nicolai church in Alfeld (Lower Saxony), which long can be found in the Minoritenkirche Cologne, was commissioned by the Cistercian monks of Marienrode. In both cases Mary is shown as Regina Coeli in the way the Byzantine Hodegetria is represented. The study analyzes the Christological and Mariological presuppositions that underlie the iconography of both retables.