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1. |
Record Nr. |
UNINA9910251422303321 |
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Titolo |
Advances in Security in Computing and Communications / / edited by Jaydip Sen |
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Pubbl/distr/stampa |
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Rijeka : , : IntechOpen, , 2017 |
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©2017 |
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ISBN |
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953-51-4733-1 |
953-51-3346-2 |
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Descrizione fisica |
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1 online resource (192 pages) |
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Disciplina |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910820217903321 |
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Autore |
Lowry Richard S |
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Titolo |
"Littery man" [[electronic resource] ] : Mark Twain and modern authorship / / Richard S. Lowry |
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Pubbl/distr/stampa |
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New York : , : Oxford University Press, , 1996 |
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ISBN |
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1-280-52855-9 |
1-4294-0668-2 |
0-19-535624-1 |
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Descrizione fisica |
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1 online resource (x, 177 pages) |
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Collana |
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Commonwealth Center studies in American culture |
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Disciplina |
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Soggetti |
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Authorship - Social aspects - United States - History - 19th century |
Autobiographical fiction, American - History and criticism |
Authors and readers - United States - History - 19th century |
Fiction - Authorship - History - 19th century |
Self in literature |
Canon (Literature) |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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3. |
Record Nr. |
UNINA9910634097903321 |
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Autore |
Alemani Cecilia |
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Titolo |
On Reenactment: Concepts, Methodologies, Tools / / Cristina Baldacci, Susanne Franco |
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Pubbl/distr/stampa |
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Torino, : Accademia University Press, 2022 |
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Torino : , : Accademia University Press, , 2022 |
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ISBN |
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Descrizione fisica |
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1 online resource (208 pages) |
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Collana |
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Altri autori (Persone) |
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BaldacciCristina |
Benzaquen-GautierStéphanie |
DesprésAurore |
De LaetTimmy |
FoellmerSusanne |
FrancoFrancesca |
FrancoSusanne |
FrankoMark |
GiannachiGabriella |
LucchettiMatteo |
LüttickenSven |
MuduStefano |
NgcoboGabi |
RuprechtLucia |
SiegmundGerald |
TemkinDaniel |
TraubSusanne |
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Soggetti |
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Theater |
rievocazione storica |
storia della danza e dell'arte |
performance teatrale |
rievocazione come strategia di appropriazione |
reconstitution |
histoire de la danse et de l'art |
représentation théâtrale |
la reconstitution comme stratégie d'appropriation |
reenactment |
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history of dance and art |
theatrical performance |
reenactment as a strategy of appropriation |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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This book brings together dance and visual arts scholars to investigate the key methodological and theoretical issues concerning reenactment. Along with becoming an effective and widespread contemporary artistic strategy, reenactment is taking shape as a new anti-positivist approach to the history of dance and art, undermining the notion of linear time and suggesting new temporal encounters between past, present, and future. As such, reenactment has contributed to a move towards different forms of historical thinking and understanding that embrace cultural studies – especially intertwining gender, postcolonial, and environmental issues – in the redefinition of knowledge, historical discourses, and memory. This approach also involves questioning canons and genealogies by destabilising authorship and challenging both institutional and direct forms of transmission. The structure of the book playfully recalls that of a theatrical performance, with both an overture and prelude, to provide space for a series of theoretical and practice-based insights – the solos – and conversations – the duets – by artists, critics, curators, and theorists who have dealt with reenactment. The main purpose of this book is to demonstrate how reenactment as a strategy of appropriation, circulation, translation, and transmission can contribute to understanding history both in its perpetual becoming and as a process of reinvention, renarration, and resignification from an interdisciplinary perspective. |
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