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Record Nr. |
UNINA9910634001003321 |
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Autore |
Claycomb Ryan |
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Titolo |
In the lurch : verbatim theater and the crisis of democratic deliberation / / Ryan Claycomb |
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Pubbl/distr/stampa |
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Ann Arbor, Michigan : , : University of Michigan Press, , 2023 |
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©2022 |
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ISBN |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (viii, 154 pages) |
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Disciplina |
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Soggetti |
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Historical drama - 21st century - History and criticism |
Historical drama - 20th century - History and criticism |
Historical drama - 21st century - Political aspects |
Historical drama - 20th century - Political aspects |
Criticism, interpretation, etc. |
History |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Intro -- Contents -- Acknowledgments -- Introduction: In the Lurch -- One: Democratic Deliberation and the Theatricalized Public Sphere -- Two: Debating in Utopia -- Three: Feeling Together -- Four: The Opposite of Empathy is Suspicion -- Coda: Nostalgia -- or, the Pastness of the Present -- Notes -- Bibliography -- Index. |
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Sommario/riassunto |
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Some of theater's most powerful works in the past thirty years fall into the category of "verbatim theater," socially engaged performances whose texts rely on word-for-word testimony. Performances such as Fires in the Mirror, The Laramie Project, and The Vagina Monologues have at their best demonstrated how to hold hard conversations about explosive subjects in a liberal democracy. But in this moment of what author Ryan Claycomb terms the "rightward lurch" of western democracies, does this idealized space of democratic deliberation remain effective? In the Lurch asks that question in a pointed and self-reflexive way, tracing the history of this branch of documentary theater with particular attention to the political outcomes and stances these performances seem to seek. But this is not just a disinterested |
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history--Claycomb reflects on his own participation in that political fantasy, including earlier scholarly writing that articulated with breathless hopefulness the potential of verbatim theater, and on his own theatrical attendance, imbued with a belief that witnessing this idealized public sphere was a substitute for actual public participation. In the Lurch also recounts the bumpy path towards its completion, two years marked by presidential impeachments, an insurrection, a national reckoning with racism, and a global pandemic. At the heart of the book is a central question: is verbatim theater any longer an effective cultural response to what can look like the possible end of democracy? |
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