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1. |
Record Nr. |
UNINA9910793800503321 |
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Autore |
Korneeva Tatiana |
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Titolo |
The Dramaturgy of the Spectator : Italian Theatre and the Public Sphere, 1600-1800 / / Tatiana Korneeva |
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Pubbl/distr/stampa |
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Toronto : , : University of Toronto Press, , [2019] |
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©2019 |
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ISBN |
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1-4875-3208-3 |
1-4875-3209-1 |
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Descrizione fisica |
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1 online resource (274 pages) |
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Collana |
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Classificazione |
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Disciplina |
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Soggetti |
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Italian drama - To 1700 - History and criticism |
Criticism, interpretation, etc. |
History |
Italy |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Chronology -- Introduction -- 1. How Theatre Invents the Public Sphere -- 2. The Privileged Visibility of the Viewer -- 3. The Politics of Spectatorship -- 4. Public Emotions and Emotional Publics -- 5. Playwrights Fight Back -- 6. Liberty and the Audience -- Epilogue. |
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Sommario/riassunto |
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"The Dramaturgy of the Spectator: pioneers a shift in the way we think about theatre audience as both theoretical concept and historical phenomenon by examining the metomorphosis of spectators from an uncritical mass of early modern theatre-goers to an Enlightenment audience of experts and critics. This study argues for a gradual change in the self-conception of the spectatorship during the two"golden" centuries of Italian dramatic literature, outlining the dramatic strategies by which theatre called into being an adjusting audience capable of both aesthetics and political analysis. The author shows that, contrary to expectations, the public's progressive centrality to the theatre helped to create rather than hinder the playwrights's self-assertion and expression. At the same time, the discussion moves beyond spectatorship per se to consider a range of cultural assumptions and practices. These include the emergent public sphere, the power |
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structures and social and cultural politics in Italy."-- |
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2. |
Record Nr. |
UNINA9910633926903321 |
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Autore |
Lai Cheng-chung |
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Titolo |
Adam Smith and Yan Fu: Western Economics in Chinese Perspective / / by Cheng-chung Lai |
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Pubbl/distr/stampa |
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Singapore : , : Springer Nature Singapore : , : Imprint : Springer, , 2022 |
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ISBN |
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Edizione |
[1st ed. 2022.] |
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Descrizione fisica |
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1 online resource (101 pages) |
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Collana |
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Economics and Finance Series |
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Disciplina |
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Soggetti |
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Europe - Economic conditions |
Asia - Economic conditions |
Philosophy, Chinese |
European Economics |
Asian Economics |
Chinese Philosophy |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Overview -- Spread of The Wealth of Nations -- Reception of The Wealth of Nations -- Traduttore Traditore -- Yan Fu’s understanding of The Wealth of Nations -- Yan Fu’s Economic Ideas -- Epilogue. |
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Sommario/riassunto |
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This book examines at a static level how Adam Smith's The Wealth of Nations (1776) was introduced into China at the turn of the twentieth century. In a dynamic socio-economic context, Yan Fu (1854-1921) had The Wealth of Nations in mind as a prescription for China's "Wealth and Power". This book aims answer the question of whether The Wealth of Nations, a book which advocates laissez-faire, free trade, and minimum governance helpful for China with very different economic conditions and modes of thought to the West and goes on to reexamine Yan Fu's economic ideas through a modern economics perspective. |
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