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Record Nr. |
UNINA9910706882003321 |
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Autore |
Powell David |
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Titolo |
Modeling cerebral vascular injury / / prepared by David Powell |
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Pubbl/distr/stampa |
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[Aberdeen Proving Ground, Md.] : , : US Army Research Laboratory, , January 2016 |
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Descrizione fisica |
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1 online resource (iv, 44 pages) : illustrations (some color) |
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Soggetti |
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Projectiles, Aerial - Aerodynamics |
Cerebrovascular disease - Models |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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"Jan 2016." |
"ARL-CR-0790." |
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Nota di bibliografia |
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Includes bibliographical references (pages 24-25). |
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2. |
Record Nr. |
UNISANNIOUBO2370217 |
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Titolo |
L'impresa italiana nel Novecento / a cura di Renato Giannetti e Michelangelo Vasta |
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Pubbl/distr/stampa |
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Bologna, : Il mulino, °2003] |
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ISBN |
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Descrizione fisica |
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Collana |
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Disciplina |
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338.09450904 |
338.7 |
338.70945 |
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Soggetti |
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IMPRESE - ITALIA - SEC. 20 |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910629290303321 |
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Titolo |
The Language of Creative AI : Practices, Aesthetics and Structures / / edited by Craig Vear, Fabrizio Poltronieri |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Springer, , 2022 |
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ISBN |
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Edizione |
[1st ed. 2022.] |
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Descrizione fisica |
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1 online resource (291 pages) |
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Collana |
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Springer Series on Cultural Computing, , 2195-9064 |
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Disciplina |
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Soggetti |
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User interfaces (Computer systems) |
Human-computer interaction |
Artificial intelligence |
Social sciences - Data processing |
Machine learning |
User Interfaces and Human Computer Interaction |
Artificial Intelligence |
Computer Application in Social and Behavioral Sciences |
Machine Learning |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Introduction -- Part I: Aesthetics and contexts -- On purpose: An enquiry into the possible roles of the computer in art -- Towards a symbiotic future: Art and creative AI -- Artificial intelligence and creativity under interrogation -- AI, creativity and art -- The ethics of creative AI -- Part II: Structures and frameworks -- Ecosystemic thinking: Beyond human narcissism in AI -- Embodied AI and musicking robotics -- Latent spaces: A creative approach -- Intersections of living and machine agencies: Possibilities for creative AI -- Conformed thoughts, representational systems, and creative procedures -- Part III: Practices -- Creative AI, embodiment, and performance -- Musebots and I: Collaborating with creative systems -- Composition with computer models of the brain: An alternative |
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approach to music with artificial intelligence -- Tuning topological morphologies: Creative processes of natural and artificial cognitive systems -- Sketching symbiosis: Towards the development of relational systems. |
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Sommario/riassunto |
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Creative AI defines art and media practices that have AI embedded into the process of creation, but also encompass novel AI approaches in the realisation and experience of such work, e.g. robotic art, distributed AI artworks across locations, AI performers, artificial musicians, synthetic images generated by neural networks, AI authors and journalist bots. This book builds on the discourse of AI and creativity and extends the notion of embedded and co-operative creativity with intelligent software. It does so through a human-centred approach in which AI is empowered to make the human experience more creative. It presents ways-of-thinking and doing by the creators themselves so as to add to the ongoing discussion of AI and creativity at a time when the field needs to expand its thinking. This will avoid over-academization of this emerging field, and help counter engrained prejudice and bias. The Language of Creative AI contains technical descriptions, theoretical frameworks, philosophical concepts and practice-based case studies. It is a compendium of thinking around creative AI for technologists, human-computer interaction researchers and artists who are wishing to explore the creative potential of AI. |
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