1.

Record Nr.

UNINA9910620197603321

Autore

Geary Fonzie D, II

Titolo

Maxwell Anderson and the Marriage Crisis : Challenging Tradition in the Jazz Age / / by Fonzie D. Geary II

Pubbl/distr/stampa

Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022

ISBN

9783031132414

9783031132407

Edizione

[1st ed. 2022.]

Descrizione fisica

1 online resource (192 pages)

Disciplina

812.52

Soggetti

Theater - History

Theater

Playwriting

Dramatists

Women - History

Theatre History

Global and International Theatre and Performance

Playwrights and Playwriting

Women's History / History of Gender

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di contenuto

1. Jazz Age Theatre and the “Marriage Crisis” -- 2. White Desert: Marriage as Manifest Destiny -- 3. Sea-Wife: Marriage and Superstition -- 4. Saturday’s Children: Love Before Marriage -- 5. Gypsy: Love After Marriage -- 6. Maxwell Anderson Reassessed.

Sommario/riassunto

This book focuses on the re-evaluation of four Maxwell Anderson plays within the context of the emergence of the New Woman and the perception of a marriage crisis in the United States During the 1920s. The four plays under consideration are White Desert (1923), Sea-Wife (1924), Saturday’s Children (1927), and Gypsy (1929). These plays are largely forgotten and, even when the titles appear in Anderson scholarship, coverage has tended to be cursory and dismissive. This work represents a fresh approach and re-assessment of an American



playwright who bore a significant impact on the drama of his time, serving not only to place Anderson’s work more effectively within the context of American theatre during the 1920s, but also to bridge the gap between his work and the marriage-related plays of the late twentieth and early twenty-first centuries. Fonzie D. Geary II is Associate Professor and Director of Theatre at Lyon College in Batesville, Arkansas, USA. He has researched early to mid-twentieth century American drama for over fifteen years with an emphasis on examining plays for their cultural relevance, and his publications on the work of Maxwell Anderson have appeared in the New England Theatre Journal, the Journal of American Drama and Theatre, and Theatre Annual. He is a Lifetime Member of the American Theatre and Drama Society (ATDS).