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1. |
Record Nr. |
UNINA990009769760403321 |
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Autore |
Spiezia, Vincenzo |
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Titolo |
I presupposti generali del processo penale / Vincenzo Spiezia |
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Pubbl/distr/stampa |
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Udine : Istituto delle Edizioni Accademie, [19..] |
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Descrizione fisica |
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Locazione |
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Collocazione |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910592979403321 |
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Autore |
Schmitt Arnaud |
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Titolo |
The Photographer as Autobiographer / / by Arnaud Schmitt |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
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ISBN |
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9783031088551 |
9783031088544 |
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Edizione |
[1st ed. 2022.] |
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Descrizione fisica |
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1 online resource (301 pages) |
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Collana |
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Palgrave Studies in Life Writing, , 2730-9193 |
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Disciplina |
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Soggetti |
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Prose literature |
Photography |
Collective memory |
Books - History |
Narrative Text and Prose |
Memory Studies |
History of the Book |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Chapter 1: Introduction -- Chapter 2: The I of the Photographer: A Historical Perspective -- Chapter 3: A Structural Approach to Photographers’ Memoirs -- Chapter 4: A Cognitive Approach to Photographers’ Memoirs -- Chapter 5: Hold Still -- Chapter 6: Conclusion. |
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Sommario/riassunto |
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This book explores hybrid memoirs, combining text and images, authored by photographers. It contextualizes this sub-category of life writing from a historical perspective within the overall context of life writing, before taking a structural and cognitive approach to the text/image relationship. While autobiographers use photographs primarily for their illustrative or referential function, photographers have a much more complex interaction with pictures in their autobiographical accounts. This book explores how the visual aspect of a memoir may drastically alter the reader’s response to the work, but also how, in other cases, the visual parts seem disconnected from the text or underused. Arnaud Schmitt is a Full Professor at the University of Bordeaux, France. He has published two books and multiple articles on autofiction and autobiography. |
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