1.

Record Nr.

UNISA990003055880203316

Autore

LABANCA, Vincenzo

Titolo

Le memorie di una brigantessa : da Le memorie di Zarafina : romanzo / Vincenzo Labanca

Pubbl/distr/stampa

Lagonegro, : Zaccara, 2004

Descrizione fisica

333 p. ; 24 cm

Disciplina

853.914

Soggetti

Narrativa italiana

Collocazione

XVII A.A. 3890

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910591173203321

Autore

Ziolkowski Jan

Titolo

Reading the Juggler of Notre Dame : Medieval Miracles and Modern Remakings / / Jan Ziolkowski

Pubbl/distr/stampa

Cambridge : , : Open Book Publishers, , 2022

©2022

Descrizione fisica

1 online resource (468 pages)

Disciplina

909.07

Soggetti

Medievalism

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Sommario/riassunto

In this two-part anthology, Jan M. Ziolkowski builds on themes uncovered in his earlier The Juggler of Notre Dame and the Medievalizing of Modernity. Here he focuses particularly on the



performing arts. Part one contextualises Our Lady's Tumbler, a French poem of the late 1230s, by comparing it with episodes in the Bible and miracles in a wide variety of medieval European sources. It relates this material to analogues and folklore across the ages from, among others, Persian, Jewish and Hungarian cultures. Part two scrutinizes the reception and impact of the poem with reference to modern European and American literature, including works by the Nobel prize-winner Anatole France, professor-poet Katharine Lee Bates, philosopher-historian Henry Adams and poet W.H. Auden. This innovative collection of sources introduces readers to many previously untranslated texts, and invites them to explore the journey of Our Lady's Tumbler across both sides of the Atlantic. Reading the Juggler of Notre Dame: Medieval Miracles and Modern Remakings will benefit scholars and students alike. The short introductions and numerous annotations shed light on unusual beliefs and practices of the past, making the readings accessible to anyone with an interest in the arts and an openness to the Middle Ages.