| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910797152803321 |
|
|
Autore |
Findley Sally E. |
|
|
Titolo |
Bridging the gap : how community health workers promote the health of immigrants / / Sally E. Findley and Sergio Matos |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Oxford ; ; New York : , : Oxford University Press, , [2015] |
|
©2015 |
|
|
|
|
|
|
|
|
|
ISBN |
|
0-19-936434-6 |
0-19-936435-4 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (257 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Immigrants - United States |
Health promotion - United States |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Immigrant health : immigration trends and impact on health -- A good fit : community health workers and immigrant health -- Becoming a CHW -- CHWs promoting immigrant health : how CHWs have supported Dominican immigrants in Washington Heights, New York -- CHWs bridging the gap : program models. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Immigrants living in US cities face myriad obstacles to accessing quality health care. This inequitable access to care is compounded by the risk of chronic disease accompanying the stress, strain, and lifestyle changes that can come with life in a new country. Bridging the Gap details the role, lessons, and effectiveness of community health workers (CHWs) in bringing health care to underserved immigrant communities. Combining education, advocacy, and local cultural acumen, CHWs have proven successful in the United States and abroad, improving community health and establishing an evidence base |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910590046503321 |
|
|
Autore |
Jackson Penelope |
|
|
Titolo |
The Art of Copying Art / / by Penelope Jackson |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
|
|
|
|
|
|
|
|
|
ISBN |
|
9783030889159 |
9783030889142 |
|
|
|
|
|
|
|
|
Edizione |
[1st ed. 2022.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (252 pages) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Culture - Study and teaching |
Arts |
Art - History |
Visual Culture |
Fine Art |
Art History |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
1. Introduction: A Case for Copies -- 2. Apprentice Artists -- 3. Copies for the Colonies -- 4. Paintings-within-Paintings -- 5. Education and Entertainment. - 6. Copies in Public Collections. - 7. Protecting the Past. - 8. Cash for Copies. - 9. Conclusion: Sorting the Wheat from the Chaff. . |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
This book is a study of the history, role and significance of copying art. Copies have enjoyed a different status from authentic artworks and though often acknowledged, very rarely have they been considered collectively as a genre in their own right. This volume showcases a variety of examples-from copies of famous artworks made and used as props in movies to those made innocently by student artists as part of their training. Examining the motivations for making copies, and reflecting on the reception of copies, is central to this book. Copies have historically filled voids in collections, where some sadly languish, and have become a curatorial burden. In other cases, having a copy assists in conservation projects and fills the place of a lost work. Ultimately by interrogating a copy's role and intent we might ask |
|
|
|
|
|
|
|
|
|
|
|
|
|
ourselves if viewing a copy changes our experience and perception of an artwork. Penelope Jackson is a former public artgallery curator and director. Jackson is the chair of the New Zealand Art Crime Research Trust. She is the author of Art Thieves, Fakers & Fraudsters: The New Zealand Story (2016), Females in the Frame: Women, Art, and Crime (Palgrave, 2019) and has contributed to Art Crime and its Prevention (2016) and the Journal of Art Crime. In 2020 she was the recipient of a University of Auckland/Michael King Writers Centre Residency. |
|
|
|
|
|
|
3. |
Record Nr. |
UNINA9910886964003321 |
|
|
Autore |
Pinheiro Teresa |
|
|
Titolo |
Fünfzig Jahre Nelkenrevolution : Transkulturelle und Intermediale Perspektiven Auf Portugals Demokratischen Wandel Seit 1974 |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Bielefeld : , : transcript Verlag, , 2024 |
|
©2024 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (385 pages) |
|
|
|
|
|
|
Collana |
|
Biblioteca Luso-Afro-Brasileira ; ; 2 |
|
|
|
|
|
|
Altri autori (Persone) |
|
|
|
|
|
|
|
|
Soggetti |
|
HISTORY / Europe / General |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di contenuto |
|
Cover -- Inhalt -- Einleitung -- Die Nelkenrevolution fünfzig Jahre danach: Wo bleiben die Nelken? -- Ein halbes Jahrhundert Transformation. Portugals Wandel seit der Revolução de Abril -- I Transnationale Einblicke -- Die Nelkenrevolution im Spiegel der Zeitung Neues Deutschland -- Nelken schön, aber bitte nicht rot. Die deutsche Sozialdemokratie und Portugal von der Diktatur zur Demokratie1 -- O 25 de Abril na cena cultural galega do século xxi -- II Ikonographie einer Revolution -- Revolution und Fotografie. Visuelle Repräsentation und Erinnerungskultur der Nelkenrevolution1 -- "No princípio era a canção, e a canção estava com o povo". A canção como meio de protesto e desencadeadora da Revolução dos Cravos (1974) |
|
|
|
|
|
|
|
|
|
|
|
-- III Kritische Chronisten der Nelkenrevolution -- José Saramago und die Nelkenrevolution: poetische und politische Spuren (1974-1975)1 -- „De ilusos cravos foi a cambalhota":1 Natália Correia und die Nelkenrevolution -- As repercussões do 25 de Abril na Guiné-Bissau, a partir de contos de Tony Tcheka -- IV Kolonialismus und Erinnerung -- Das Trauma der Afrika-Erfahrung und seine Aufarbeitung im portugiesischen Roman -- Wider das Vergessen. Die „Literatur der retornados" im kulturellen Gedächtnis Portugals zwischen unnötigem Tabubruch und notwendiger Aufarbeitung -- Qual 25 de Abril, qual Portugal, 50 anos depois? Questões de colonialidade na literatura portuguesa após 19741 -- V Aufarbeitung von Krieg und Repression -- „A guerra no bolso": Das portugiesische Theater als Gedächtnis-Bühne -- A voz como arquivo afetivo. Testemunhos, silêncio e fotografia em 48 de Susana de Sousa Dias -- VI Zeitzeugeninterviews -- Rainer Bettermann (Jena) -- Karl Heinz und Maria Manuela Gouveia Delille (Coimbra) -- Gert Peuckert (Berlin) -- Mário dos Santos (Lünen) -- Philine Meyer-Clason (München) -- Zu den Autorinnen und Autoren. |
|
|
|
|
|
|
Sommario/riassunto |
|
Fünfzig Jahre nach der Nelkenrevolution blickt Portugal auf einen umfassenden Transformationsprozess zurück. Was hat sich verändert? Inwiefern steht die politische, soziale, wirtschaftliche und kulturelle Konfiguration des Landes in direktem Zusammenhang mit dem 25. April 1974 und den zwei revolutionären Jahren danach? Und wie gestaltete sich Portugals Neuverortung? Die Beiträger*innen antworten aus verschiedenen Blickwinkeln und fokussieren sich dabei auf die Rolle von Theater, Literatur, Musik und Film als Resonanzräume und Triebkräfte des Wandels. |
|
|
|
|
|
|
|
| |