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1. |
Record Nr. |
UNINA9910585995303321 |
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Autore |
Kreutzer Till |
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Titolo |
Rechtsfragen bei Open Science : Ein Leitfaden |
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Pubbl/distr/stampa |
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Hamburg, : Hamburg University Press, 2021 |
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Descrizione fisica |
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1 online resource (244 p.) |
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Soggetti |
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Laws of Specific jurisdictions |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Digitisation enables open science. Digitisation has many aspects, in particular free access to scholarly publications and materials (Open Access), transparent review procedures (Open Peer Review) or open source technologies (Open Source). The programme Hamburg Open Science (duration 2018-2020) supports, among other things, cultural change in research. It is in this context that the present guide was created. It is intended to make the legal environment tangible. The guide first systematically elaborates the relevant areas of law. The second part answers legal questions about Open Science that come directly from universities and libraries. In this way, the guide is prepared and communicated in a practical manner. The authors of the guide are Dr. Till Kreutzer, partner at the law firm iRights.Law, and their research assistant Henning Lahmann. This second, completely revised and expanded edition was produced with the assistance of Dr. Ina Kaulen, Hamburg State and University Library Carl von Ossietzky. |
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2. |
Record Nr. |
UNINA9910968448903321 |
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Autore |
Rodgers Stephen <1974-> |
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Titolo |
Form, program, and metaphor in the music of Berlioz / / Stephen Rodgers |
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Pubbl/distr/stampa |
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Cambridge : , : Cambridge University Press, , 2009 |
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ISBN |
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1-107-20027-X |
1-282-05875-4 |
0-511-50797-6 |
9786612058752 |
0-511-57640-4 |
0-511-50863-8 |
0-511-50512-4 |
0-511-50929-4 |
0-511-50726-7 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (x, 189 pages) : digital, PDF file(s) |
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Disciplina |
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Soggetti |
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Musical form |
Metaphor |
Music - Philosophy and aesthetics |
Program music |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from publisher's bibliographic system (viewed on 05 Oct 2015). |
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Nota di bibliografia |
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Includes bibliographical references (p. [173]-183) and index. |
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Nota di contenuto |
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Introduction -- Preliminary examples and recent theories -- Form as metaphor -- Mixing genres, mixing forms : sonata and song in Le carnaval romain -- The vague des passions, monomania, and the first movement of the Symphonie fantastique -- Love's emergence and fulfillment : the Scène d'amour from Roméo et Juliette -- Epilogue. |
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Sommario/riassunto |
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Few aspects of Berlioz's style are more idiosyncratic than his handling of musical form. This book, the first devoted solely to the topic, explores how his formal strategies are related to the poetic and dramatic sentiments that were his very reason for being. Rodgers draws upon Berlioz's ideas about musical representation and on the ideas that would have influenced him, arguing that the relationship between |
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musical and extra-musical narrative in Berlioz's music is best construed as metaphorical rather than literal - 'intimate' but 'indirect' in Berlioz's words. Focusing on a type of varied-repetitive form that Berlioz used to evoke poetic ideas such as mania, obsession, and meditation, the book shows how, far from disregarding form when pushing the limits of musical evocation, Berlioz harnessed its powers to convey these ideas even more vividly. |
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