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Record Nr. |
UNINA9910578699703321 |
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Titolo |
Courageous methods in cultural psychology / / Meike Watzlawik and Ska Salden, editors |
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Pubbl/distr/stampa |
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Cham, Switzerland : , : Springer, , [2022] |
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©2022 |
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ISBN |
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Descrizione fisica |
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1 online resource (286 pages) |
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Collana |
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Theory and history in the human and social sciences |
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Disciplina |
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Soggetti |
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Social psychology - Methodology |
Ethnopsychology |
Ethnopsychology - Methodology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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2. |
Record Nr. |
UNINA9910554217903321 |
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Autore |
Miyoshi Kensho |
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Titolo |
Designing objects in motion : exploring kinaesthetic empathy / / Kensho Miyoshi |
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Pubbl/distr/stampa |
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Basel, Switzerland : , : Birkhäuser Verlag GmbH, , [2020] |
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©2020 |
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ISBN |
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Descrizione fisica |
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1 online resource (216 p.) |
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Collana |
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Board of International Research in Design |
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Classificazione |
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Disciplina |
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Soggetti |
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Design - Human factors |
Movement, Aesthetics of |
Aesthetics |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Frontmatter -- CONTENTS -- FOREWORD BIRD -- INTRODUCTION -- 1 Design Research through the Senses -- 2 Objects in Motion -- 3 Designing in Motion -- 4 Designing Kinaesthetic Empathy -- 5 From Kinetic to Kinaesthetic -- ACKNOWLEDGEMENTS -- ABOUT THE AUTHOR -- WEBSITES -- SELECTED BIBLIOGRAPHY |
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Sommario/riassunto |
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Die Bewegung von gestalteten Objekten ist nichts rein Funktionales, sondern sie ruft vielfältige Empfindungen hervor. Ein Vorhang, der sanft im Wind bewegt wird, kann den Betrachter sich leicht und entspannt fühlen lassen, als ob er selbst in der Luft schwingt. Diese imaginierte Projektion als Folge einer Wahrnehmung bewegter Objekte wird "kinästhetische Empathie" genannt. In dieser Studie, die aus einer Dissertation an der School of Design Research London hervorging, untersucht der Autor die Ästhetik der Bewegung, indem er, etwa in der experimentellen Zusammenarbeit mit Puppenspielern, den eigenen gestalterischen Lern- und Forschungsprozess als research through design dokumentiert. Er entwirft so einen Rahmen, der Designern die ästhetische Betrachtung von bewegten Objekten als Auslöser von Gefühlen ermöglicht. |
The movement of designed objects is not just something purely functional but also triggers a wide range of sensations. A curtain |
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swaying gently in the wind can cause the onlooker to feel easy and relaxed, as if it was he or she who is floating in the air. This imagined projection caused by the perception of moving objects is called "kinesthetic empathy". In this study, which followed on from a dissertation at the School of Design Research in London, the author investigates the esthetics of movement by documenting his own design-based learning and research process in terms of "research through design", using the experimental cooperation with puppet players as an example. He thereby creates a framework that allows designers to observe the esthetics of objects in motion as a trigger of feelings. |
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3. |
Record Nr. |
UNINA9910783834603321 |
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Titolo |
Post-colonial Shakespeares / / edited by Ania Loomba and Martin Orkin |
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Pubbl/distr/stampa |
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London ; ; New York : , : Routledege, , 1998 |
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ISBN |
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1-134-68855-5 |
0-203-44734-4 |
1-134-68856-3 |
1-280-06708-X |
0-203-42651-7 |
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Descrizione fisica |
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1 online resource (321 p.) |
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Collana |
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Altri autori (Persone) |
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Disciplina |
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Soggetti |
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Imperialism in literature |
Colonies in literature |
Race in literature |
Postcolonialism |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references (p. [277]-298) and index. |
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Nota di contenuto |
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Book Cover; Title; Contents; General editor's preface; Contributors; |
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Acknowledgements; Introduction: Shakespeare and the post-colonial question; 'This Tunis, sir, was Carthage': Contesting colonialism in The Tempest; 'A most wily bird': Leo Africanus, Othello and the trafficking in difference; 'These bastard signs of fair': Literary whiteness in Shakespeare's sonnets; ''Tis not the fashion to confess': 'Shakespeare-Postcoloniality-Johannesburg, 1996'; Nation and place in Shakespeare: The case of Jerusalem as a national desire in early modern English drama; Bryn Glas |
'Local-manufacture made-in-India Othello fellows': Issues of race, hybridity and location in post-colonial Shakespeares Post-colonial Shakespeare? Writing away from the centre; Possessing the book and peopling the text; Shakespeare and Hanekom, King Lear and land: A South African perspective; From the colonial to the post-colonial: Shakespeare and education in Africa; Shakespeare, psychoanalysis and the colonial encounter: The case of |
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Sommario/riassunto |
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This focused collection of essays explores the multiple possibilities for the study of Shakespeare in an emerging postcolonial period. |
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