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1. |
Record Nr. |
UNINA9910438338203321 |
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Autore |
Jiang Xiaoyi <1981-> |
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Titolo |
Legal issues for implementing the Clean Development Mechanism in China / / Xiaoyi Jiang |
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Pubbl/distr/stampa |
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New York ; ; Heidelberg, : Springer Verlag, c2013 |
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ISBN |
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1-283-61224-0 |
9786613924698 |
3-642-24737-7 |
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Edizione |
[1st ed. 2013.] |
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Descrizione fisica |
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1 online resource (282 p.) |
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Disciplina |
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Soggetti |
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Sustainable development - Law and legislation - China |
Sustainable development - Environmental aspects - China |
Carbon dioxide mitigation - Law and legislation - China |
Global warming - Government policy - China |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references. |
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Nota di contenuto |
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Introduction -- What the CDM Is and How It Operates: The CDM in an International Context -- The CDM in China -- Legal Issues for Implementing CDM Projects in China -- The CDM in China in the Post-2012 Era -- A Comparative Study on the Implementation of CDM Projects in India -- Conclusion and Recommendations: How Provide for Better Implementation of the CDM in China?. |
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Sommario/riassunto |
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Today, climate change is among the most hotly-debated topics. The Clean Development Mechanism (CDM), one of the three financial mechanisms under the Kyoto Protocol open to developing and developed countries, was devised to assist in mitigation of global warming. This book discusses what China should do to make full use of the CDM to promote sustainable development and to meet the challenge of climate change from a legal perspective. The findings lead to the conclusion that the CDM has limitations in promoting sustainable development in China, and thus should be regarded only as a complementary instrument in combating climate change. Legal strategies for improving the implementation of CDM projects under the legal framework in China are thus put forward, and some proposals for |
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China to meet the challenge of climate change in the post-2012 era are made. This book offers new insights to academics and policymakers both in the public and private sector. It is intended for legal practitioners and researchers on carbon trading as well as policymakers interested in the role of developing countries in climate change law. In addition, it is of interest to stakeholders of CDM projects. |
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2. |
Record Nr. |
UNINA9910578698603321 |
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Autore |
Lin Lisa |
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Titolo |
Convergent Chinese Television Industries : An Ethnography of Chinese Production Cultures / / by Lisa Lin |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2022 |
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ISBN |
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9783030917562 |
9783030917555 |
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Edizione |
[1st ed. 2022.] |
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Descrizione fisica |
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1 online resource (277 pages) |
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Collana |
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Palgrave Global Media Policy and Business, , 2634-6206 |
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Disciplina |
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Soggetti |
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Communication and traffic |
Mass media and culture |
Media Industries |
Media Culture |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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Chapter 1. Introduction -- Chapter 2. Production Ecology in Chinese Television Industries -- Chapter 3. Convergent Production Strategies: CCTV and HBS -- Chapter 4. Digital Fiefdoms: The Rise of Chinese Internet-distributed Television -- Chapter 5. Production Cultures and Convergent Screen Forms: CCTV and HBS -- Chapter 6. Streaming Screen Forms and Aesthetics: Tencent Video -- Chapter 7. Walking a Tightrope? Producers' Fears and Precarity in China -- Chapter 8. Creative Freedoms and Autonomy in Convergent Chinese Television -- Chapter 9. Playing Edge Ball in the Grey Area -- Chapter 10. Conclusion: Towards Technologically-Empowered Creative Freedoms in |
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Convergent Chinese Television. |
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Sommario/riassunto |
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An essential book for anyone seeking to understand the dynamics that drive the convergent Chinese television industry. Lin's account moves fluently between the levels of historical, technological, political and personal determinants. The exemplary use of production studies provides a comprehensive view of both the complexity and the internal contradictions of the Chinese TV industry, demonstrating how canny producers work at the edges of what is possible. -Professor John Ellis, Royal Holloway University of London Professor Lin makes a crucial contribution to our understanding with this book, bringing the rich expertise needed to appreciate the distinct dynamics of Chinese television industries and their incorporation of and negotiation with streaming video. This carefully researched book offers deep accounts of production practices informed by substantial field observations and interviews to bring new insight about major questions. - Professor Amanda D. Lotz, Queensland University of Technology, Digital Media Research Centre This book provides a rich description of the shifting production cultures in convergent Chinese television industries across strategic, programming and individual levels. Dr. Lin argues that the current moment of Chinese television is an ideological, cultural and financial paradox in which China's one-party ideology clashes with consumer-oriented capitalism and technological advancements. Drawing upon in-depth ethnography of production cultures across Chinese broadcast and digital streaming sectors, this book illuminates how Chinese producers have placed their aspirations for creative freedoms within edge ball practices. Nuanced and timely, Convergent Chinese Television Industries unveils a complex picture of an industry undergoing dramatic transformations. Lisa Linis a television producer and university professor specialising in factual and documentary production in the UK, Singapore and China. Her producing credits include I Wouldn't Go in There (National Geographic, 2015), G-Force (Hummingbird Music, 2017), The Truth about Fake News (Channel News Asia, 2018), Frontline Medics Diaries (Channel 4, 2020). Dr. Lin holds a PhD in Media and Communications from Royal Holloway, University of London. . |
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