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1. |
Record Nr. |
UNINA9910576871503321 |
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Autore |
Elander Ingemar |
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Titolo |
Urban Renewal, Governance and Sustainable Development: More of the Same or New Paths? |
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Pubbl/distr/stampa |
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MDPI - Multidisciplinary Digital Publishing Institute, 2022 |
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Descrizione fisica |
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1 online resource (170 p.) |
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Soggetti |
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Environmental economics |
Research & information: general |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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The Rio Declaration of 1992 and its agenda for action in the twenty first century-Agenda 21-were bold attempts at steering the nations in the world in the direction of ecologically sustainable development, a direction including social and environmental justice on a global scale. It did not take long, however, when the meaning of the word 'sustainable' became diluted, sometimes even in the direction of an empty 'sustainababble´. Thus, what we see today is a huge variety of more or less scholarly based 'sustainability' imaginaries stating what the major problems facing humanity are represented to be and how they should be acted upon by science, economy, politics, and in everyday life. In other words, 'sustainability' is not enough. To evade the impression that the word may simply encourage the sustaining of an unjust status quo and that everyone has common interests in 'sustainable urban development' research and policy practice have to unmask the real conflicts of interest hidden behind the use of slippery language. |
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2. |
Record Nr. |
UNINA9910360254003321 |
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Autore |
Nyfeler Judith <p>Judith Nyfeler, Hochschule für Wirtschaft der Fachhochschule Nordwestschweiz (Basel), Schweiz </p> |
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Titolo |
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Die Fabrikation von Kreativität : Organisation und Kommunikation in der Mode / Judith Nyfeler |
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Pubbl/distr/stampa |
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Bielefeld, : transcript Verlag, 2019 |
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ISBN |
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9783837649925 |
383764992X |
9783839449929 |
3839449928 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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Collana |
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Classificazione |
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Disciplina |
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Soggetti |
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Kreativität |
Creativity |
Organisationsforschung |
Organization Studies |
Innovationsforschung |
Innovation |
Creative Industries |
Neo-institutionalism |
Neo-Institutionalismus |
Mode |
Fashion Studies |
Wandel |
Change |
Variation |
Sprache |
Language |
Technologie |
Technology |
Organisationssoziologie |
Sociology of Organizations |
Gesellschaft |
Society |
Techniksoziologie |
Sociology of Technology |
Technik |
Sociology |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Frontmatter 1 Inhaltsverzeichnis 5 Abbildungs- und Tabellenverzeichnis 7 1. Einleitung 9 2. Forschungsdesign 23 3. Zur Feldstrukturierung der Creative Industries 37 4. Ansätze der Kreativitätsforschung 65 5. Kreativität als Gegenstand der Organisationsforschung 79 6. Die Organisation der Modekreation 95 7. Darstellungsformen der Mode 153 8. Organisierte Kreativität in der Mode 193 Bibliografie 215 Anhänge 239 Dank 245 |
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Sommario/riassunto |
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Wie wird Kreativität in der Mode hervorgebracht? Judith Nyfeler untersucht die daran beteiligten Akteure samt ihrer spezifischen Organisationsweisen (Routinen, Technologien, Projekte, Kooperationen) und sprachlichen Ausdrucksformen (Narrative, Shows, Storytelling). Dabei zeigt sich: Anstatt sich ständig zu erneuern, werden Varianten gebildet, wodurch die formale Fassade der Kreativität und die operativen Aktivitäten der Produktion organisatorisch voneinander gelöst werden. Die Variantenbildung wird durch Sprachelemente verstärkt, die stets mitbearbeitet werden, was wiederum die Grundlage für den Wandel, aber auch die Stabilität in der Mode darstellt. |
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