Impact campus

• Record Nr.: UNINA9910137196703321
• Pubbl/distr/stampa: [Ste-Foy, Québec, : Matricule, 1986?]-
• Descrizione fisica: 1 online resource
• Classificazione: cci1icc
• Disciplina: 378.714/471
• Soggetti: Journaux et périodiques étudiants - Québec (Province) - Québec; College student newspapers and periodicals - Québec (Province) - Québec; College student newspapers and periodicals; Students; Periodicals.; Québec Québec
• Lingua di pubblicazione: Francese
• Formato: Materiale a stampa
• Livello bibliografico: Periodico
• Note generali: Préparé par la Confédération des associations d'étudiants et d'étudiantes de l'Université Laval.; Titre pris sur la couv.

'A course of severe and arduous trials' : Bacon, Beckett and spurious freemasonry in early twentieth-century Ireland / / Lynn Brunet

• Record Nr.: UNINA9910572179903321
• Autore: Brunet Lynn <1953->
• Pubbl/distr/stampa: Oxford ; ; New York, : Peter Lang, c2009
• ISBN: 1-299-42866-5; 3-0353-0078-X
• Descrizione fisica: 1 online resource (224 p.)
• Collana: Reimagining Ireland, , 1662-9094 ; ; 6
• Disciplina: 700.455; 700/.455
• Soggetti: Freemasonry in literature; Freemasonry in art; Initiation rites in literature; Initiation rites in art; Ireland In literature; Ireland In art
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Description based upon print version of record.
• Nota di bibliografia: Includes bibliographical references (p. [189]-202) and index.
• Nota di contenuto: Contents; Acknowledgements vii; Introduction 1; Chapter One Francis Bacon, Royal Arch Rites and the 'Passing of the Veils' 13; Chapter Two Perambulations with the Men of No Popery: Orange Order Themes and the Irish Warrior Tradition in the Art of Francis Bacon 37; Chapter Three Samuel Beckett's Plays: Waiting for Godot: A Parody of Royal Arch Rites? 63; Chapter Four Samuel Beckett's Plays: Ritual Movements, Subjective States, Torture and Trauma 85; Chapter Five Initiatory Rites in Samuel Beckett's The Unnamable and Other Prose 117; Chapter Six Trauma, Druidism and the Gnostic Tradition in the Work of Bacon and Beckett 139Appendix Francis Bacon websites 151; Notes 153; Select Bibliography 189; Index 203
• Sommario/riassunto: The artist Francis Bacon (1909-1992) and the writer Samuel Beckett (1906-1989) both convey in their work a sense of foreboding and confinement in bleak, ritualistic spaces. This book identifies many similarities between the spaces and activities they evoke and the initiatory practices of fraternal orders and secret societies that were an ; integral part of the social landscape of the Ireland experienced by both men during childhood. Many of these Irish societies modelled their ritual structures and symbolism on the Masonic Order. Freemasons use the term ‘spurious Freemasonry’ to designate those rituals not sanctioned by the Grand Lodge. The Masonic author Albert Mackey argues that the spurious forms were those derived from the various cult practices of the classical world and describes these initiatory practices as ‘a course of severe and arduous trials’. This reading of Bacon’s and Beckett’s work draws on theories of trauma to suggest that there may be a disturbing link between Bacon’s stark imagery, Beckett’s obscure performances and the unofficial use of Masonic rites.