| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910480978103321 |
|
|
Autore |
Fulman Igor <1965-> |
|
|
Titolo |
Crossed products of von Neumann algebras by equivalence relations and their subalgebras / / Igor Fulman |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Providence, Rhode Island : , : American Mathematical Society, , [1997] |
|
©1997 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (122 p.) |
|
|
|
|
|
|
Collana |
|
Memoirs of the American Mathematical Society, , 0065-9266 ; ; number 602 |
|
|
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
|
|
Soggetti |
|
Von Neumann algebras - Crossed products |
Equivalence relations (Set theory) |
Electronic books. |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
"March 1997, volume 126, number 602 (third of 5 numbers)." |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references (pages 105-107). |
|
|
|
|
|
|
Nota di contenuto |
|
""12.3 Coordinate representation of elements of M[sub(0)]""""13 Isomorphisms of crossed products""; ""13.1 I(M)�isomorphisms of crossed products""; ""13.2 I�isomorphisms of crossed products""; ""14 Bimodules and subalgebras of M""; ""15 Spectral theorem for bimodules""; ""16 Analytic algebra of a flow of automorphisms""; ""17 Properties of M""; ""18 Hyperfiniteness and dilations""; ""19 The construction of Yamanouchi""; ""20 Examples and particular cases""; ""20.1 The crossed product of a von Neumann algebra by an A�free group of automorphisms"" |
""20.2 Crossed product by a hyperfinite equivalence relation""""20.3 Double crossed product"" |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910566498603321 |
|
|
Autore |
Bret Jean-Noël |
|
|
Titolo |
L'art avant l'art : Le paradigme préhistorique |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Lyon, : ENS Éditions, 2022 |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (238 p.) |
|
|
|
|
|
|
Collana |
|
|
|
|
|
|
Altri autori (Persone) |
|
Di StefanoChiara |
IvanoffHélène |
LabrusseRémi |
MorilleChloé |
RichardNathalie |
RieberAudrey |
VlietMuriel van |
ZaraderJean-Pierre |
|
|
|
|
|
|
|
|
Soggetti |
|
Art |
History |
art |
préhistoire |
esthétique |
modernité |
histoire |
prehistory |
aesthetic |
modernity |
history |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Sommario/riassunto |
|
Les peintures, gravures, sculptures et objets mobiliers découverts, en particulier depuis Altamira, célèbre grotte ornée d’Espagne et véritable chef-d’œuvre de l’art paléolithique, ne cessent d’interroger chercheurs, |
|
|
|
|
|
|
|
|
|
|
artistes et grand public. Comment penser cet « art avant l’art », ces œuvres des origines auxquelles nous attribuons une valeur esthétique mais dont la réalisation est antérieure et irréductible au concept d’art qui est le nôtre aujourd’hui ? Il convient pour cela de dégager les traits fondamentaux de ce paradigme préhistorique qui a paradoxalement résonné avec l’art moderne. On examinera quel traitement du geste, de la figuration, de l’espace et du mouvement a été source d’inspiration et de renouveau pour les artistes, de Picasso à Moore. L’ouvrage défend l’hypothèse que le Paléolithique force à reconsidérer notre définition de l’art, de ses fonctions et de ses significations, de ses débuts et de son histoire. Les réflexions inédites proposées par des spécialistes en philosophie, histoire, histoire de l’art et littérature s’adresseront à tous les passionnés de l’art et de ses théories. The paintings, engravings, sculptures and movable objects discovered, particularly since the discovery of Altamira, the famous decorated cave in Spain and a true masterpiece of Paleolithic art, never cease to question researchers, artists and the general public. How can we think about this ‘art before art’, these works of the origins to which we attribute an aesthetic value but whose realisation is prior and irreducible to the concept of art that we have today? In order to do so, we must identify the fundamental features of this prehistoric paradigm which paradoxically resonates with modern art. The treatment of gesture, figuration, space and movement will be examined as a source of inspiration and renewal for artists from Picasso to Moore. The book argues that the Paleolithic forces us to reconsider our definition of art, its functions and meanings, its beginnings and… |
|
|
|
|
|
| |