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1. |
Record Nr. |
UNINA9910790927003321 |
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Autore |
Hookway Branden |
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Titolo |
Interface / / Branden Hookway |
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Pubbl/distr/stampa |
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Cambridge, Massachusetts : , : The MIT Press, , [2014] |
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©2014 |
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ISBN |
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0-262-32263-3 |
0-262-32262-5 |
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Descrizione fisica |
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1 online resource (191 p.) |
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Disciplina |
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Soggetti |
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Technology - Philosophy |
Interfaces (Physical sciences) |
Human-machine systems - Philosophy |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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Contents; Preface; Acknowledgments; 1 THE SUBJECT OF THE INTERFACE; 2 THE FORMING OF THE INTERFACE; 3 THE AUGMENTATION OF THE INTERFACE; Notes; Index |
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Sommario/riassunto |
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In this book, Branden Hookway considers the interface not as technology but as a form of relationship with technology. The interface, Hookway proposes, is at once ubiquitous and hidden from view. It is both the bottleneck through which our relationship to technology must pass and a productive encounter embedded within the use of technology. It is a site of contestation -- between human and machine, between the material and the social, between the political and the technological -- that both defines and elides differences. A virtuoso in multiple disciplines, Hookway offers a theory of the interface that draws on cultural theory, political theory, philosophy, art, architecture, new media, and the history of science and technology. He argues that the theoretical mechanism of the interface offers a powerful approach to questions of the human relationship to technology. Hookway finds the origin of the term interface in nineteenth-century fluid dynamics and traces its migration to thermodynamics, information theory, and cybernetics. He discusses issues of subject formation, agency, power, and control, within contexts that include technology, politics, and the |
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social role of games. He considers the technological augmentation of humans and the human-machine system, discussing notions of embodied intelligence. Hookway views the figure of the subject as both receiver and active producer in processes of subjectification. The interface, he argues, stands in a relation both alien and intimate, vertiginous and orienting to those who cross its threshold. |
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2. |
Record Nr. |
UNINA9910563167403321 |
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Autore |
Hahl-Fontaine Jelena |
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Titolo |
Marianne Werefkin und der russische Symbolismus : Studien zur Ästhetik und Kunsttheorie / / Jelena Hahl-Koch |
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Pubbl/distr/stampa |
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Munich, Germany, : Verlag Otto Sagner, 2012, c1967 |
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Descrizione fisica |
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1 online resource (126 p.) |
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Collana |
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Slavistische Beiträge ; ; Band 24 |
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Soggetti |
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Literature & literary studies |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references. |
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Sommario/riassunto |
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Der schriftliche Nachlass Marianne Werefkins offenbart ein bedeutendes theoretisches und kritisches Talent, das der künstlerischen Begabung der Malerin nicht nachsteht. Da ihre Gedanken zur Ästhetik eine auffallende Verwandtschaft mit den Theorien des russischen Symbolismus zeigen, erscheint eine vergleichende Untersuchung begründet. Mit Literaturverz. S. 103-126. Durchsuchbare elektronische Faksimileausgabe als PDF. Digitalisiert im Rahmen des DFG-Projektes Digi20 in Kooperation mit der BSB München. OCR-Bearbeitung durch den Verlag Otto Sagner. |
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