| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910558685703321 |
|
|
Autore |
Meike Dreckmann-Nielen |
|
|
Titolo |
Colonia Dignidad zwischen Erinnern und Vergessen : zur Erinnerungskultur in der ehemaligen Siedlungsgemeinschaft / / Meike Dreckmann-Nielen |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Bielefeld : , : transcript Verlag, , 2022 |
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (338 pages) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Sommario/riassunto |
|
Die Colonia Dignidad erlangte wegen zahlreicher bis heute unaufgeklärter Menschenrechtsverbrechen internationale Bekanntheit. Dass einstige Mitglieder der deutschen Gruppe das historische Siedlungsgelände in Chile unter dem Namen »Villa Baviera« (deutsch: bayerisches Dorf) schrittweise zu einem touristischen Freizeitort umfunktioniert haben, sorgt angesichts der mangelnden Aufarbeitung für anhaltende Kritik. Meike Dreckmann-Nielen untersucht, wie sich einstige Mitglieder der Gruppe heute an ihre eigene Vergangenheit erinnern. In ihrer Studie ermöglicht sie einen intimen Einblick in komplexe erinnerungskulturelle Dynamiken im Mikrokosmos der ehemaligen Siedlungsgemeinschaft. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910826302103321 |
|
|
Autore |
Mayer Elisabeth |
|
|
Titolo |
Spanish clitics on the move : variation in time and space / / Elisabeth Mayer |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Boston, [Massachusetts] ; ; Berlin, [Germany] : , : De Gruyter Mouton, , 2017 |
|
©2017 |
|
|
|
|
|
|
|
|
|
ISBN |
|
1-5015-0088-0 |
1-61451-421-6 |
|
|
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (266 pages) : illustrations, tables |
|
|
|
|
|
|
Collana |
|
Studies in Language Change, , 2163-0992 ; ; Volume 14 |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Spanish language - Clitics |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Frontmatter -- Acknowledgments -- Table of contents -- List of tables -- Abbreviations -- Chapter 1. Introduction -- Chapter 2. The nature of clitics -- Chapter 3. Objects, case and clitic doubling -- Chapter 4. From syntax to information structure -- Chapter 5. Variation and continuity in time and space -- Chapter 6. Contact and change -- Chapter 7. Conclusion -- References -- Index |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
This volume explores the complex relationship between primary agreement by means of object marking or differential object marking (DOM), and secondary agreement through clitics in non-standardized variation data from Limeño Spanish contact varieties (LSCV). As such it is concerned with diachronic as well as synchronic morphosyntactic variation of the third person object pronoun paradigm, so called clitics, as used in Standard Spanish and non-standardized Spanish contact dialects. The argumentation as well as the data presented cross diachronic and synchronic boundaries. |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
3. |
Record Nr. |
UNINA9910149049903321 |
|
|
Autore |
Parker Kathleen |
|
|
Titolo |
The Washington Post Pulitzers |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
New York : , : Diversion Publishing Corp., , 2014 |
|
©2014 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
|
|
Edizione |
[1st ed.] |
|
|
|
|
|
Descrizione fisica |
|
1 online resource (38 p.) |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Sommario/riassunto |
|
Recipient of the Pulitzer Prize for Commentary.Kathleen Parker, former staff writer for the Orlando Sentinel and author of SAVE THE MALES: WHY MEN MATTER, WHY WOMEN SHOULD CARE, informs and astounds readers with her Pulitzer Prize-winning columns for The Washington Post. No subject too charged or controversial; Parker tackles topics as incendiary as abortion, as charged as race, as current as President Obama, as deceptively whimsical as Twitter.Shaped by wisdom, originality, and good, old-fashioned reporting, Kathleen Parker never fails to leave her readers entertained and enlightened. |
|
|
|
|
|
|
|
| |