1.

Record Nr.

UNINA9910554492203321

Autore

Colbert Soyica Diggs <1979->

Titolo

Radical vision : a biography of lorraine hansberry / / Soyica Diggs Colbert

Pubbl/distr/stampa

New Haven, Connecticut : , : Yale University Press, , [2021]

©2021

ISBN

0-300-25833-X

Descrizione fisica

1 online resource (320 pages) : 19 black-white illustrations

Disciplina

812.54092

Soggetti

African American dramatists

African American political activists - 20th century

Lesbian dramatists - 20th century

Biographies.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Frontmatter -- Contents -- Acknowledgments -- Introduction: Notes of a Native Daughter -- Chapter 1 Practices of Freedom -- Chapter 2 The Shaping Force of A Raisin in the Sun -- Chapter 3 Origins: Black Radicalism as a Shapeshifting Pursuit -- Chapter 4 The Movement -- Chapter 5 From Liberals to Radicals -- Chapter 6 With Her Mind Stayed on Freedom -- Epilogue: Alternative Endings -- Notes -- Index

Sommario/riassunto

A captivating portrait of Lorraine Hansberry’s life, art, and political activism In this first scholarly biography of Lorraine Hansberry (1930–1965), the author of A Raisin in the Sun, theater professor Soyica Diggs Colbert considers the playwright’s life at the intersection of art and politics, with the theater operating as a “rehearsal room for [her] political and intellectual work.” Colbert argues that the success of Raisin overshadows Hansberry’s other contributions, including the writer’s innovative journalism and lesser known plays touching on controversial issues such as slavery, interracial communities, and black freedom movements. Colbert also details Hansberry’s unique involvement in the black freedom struggles during the Cold War and the early civil rights movement, in order to paint a full portrait of her life and impact. Drawing from Hansberry’s papers, speeches, and



interviews, this book presents its subject as both a playwright and a political activist. It also reveals a new perspective on the roles of black women in mid-twentieth-century political movements.