1.

Record Nr.

UNINA9910554212403321

Autore

Kitnick Alex <1981->

Titolo

Distant early warning : Marshall McLuhan and the transformation of the avant-garde / / Alex Kitnick [[electronic resource]]

Pubbl/distr/stampa

Chicago : , : The University of Chicago Press, , 2021

ISBN

0-226-75359-X

Descrizione fisica

1 online resource (224 p.) : 56 halftones

Collana

Chicago scholarship online

Disciplina

111.85

Soggetti

Avant-garde (Aesthetics)

Art, Modern - 20th century - Philosophy

Art criticism - History - 20th century

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Also issued in print: 2021.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Frontmatter -- Contents -- Introduction -- 1. The Age of Mechanical Production -- 2. What It Means to Be Avant-Garde -- 3. Lights On -- 4. Electronic Opera -- 5. Massage, ca. 1966 -- 6. Information Environment -- 7. Culture Was His Business -- Postscript: McLuhan’s Art Today -- Acknowledgments -- Notes -- Bibliography -- Index

Sommario/riassunto

Marshall McLuhan (1911-1980) is best known as a media theorist - many consider him the founder of media studies - but he was an important theorist of art, too. A near-household name for decades, McLuhan remains a fascinating and even cultish figure in art history. However, his connections with the art of his own time has been largely unexplored. Art historian Alex Kitnick delves into these rich connections and argues both that McLuhan was influenced by art and artists and, more interestingly, that McLuhan's work directly influenced the art and artists of his time. Kitnick builds the story of McLuhan's entanglement with artists by carefully forging connections between him, his theories, and the artists themselves. The story is packed with big names: Marcel Duchamp, Jasper Johns, Niki de Saint Phalle, Andy Warhol, Nam June Paik, and others.