1.

Record Nr.

UNINA9910699123403321

Autore

Eakins Barry W

Titolo

Digital elevation model of Montauk, New York [[electronic resource] ] : procedures, data sources and analysis / / Barry W. Eakins ... [and others]

Pubbl/distr/stampa

Boulder, Colo. : , : National Oceanic and Atmospheric Administration, National Environmental Satellite, Data, and Information Service, National Geophysical Data Center, Marine Geology and Geophysics Division, , [2009]

Descrizione fisica

1 online resource (iv, 23 pages) : color illustrations, color maps

Collana

NOAA technical memorandum NESDIS NGDC ; ; 17

Soggetti

Geophysics - Research - New York (State) - Montauk

Topographical surveying - Research - New York (State) - Montauk - Mathematical models

Topographical surveying - New York (State) - Montauk - Data processing

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Title from title screen (viewed Apr.28, 2010).

"March 2009."

Nota di bibliografia

Includes bibliographical references (page 23).



2.

Record Nr.

UNINA9910552755203321

Autore

Schwarz Boris <1906-1983, >

Titolo

Music and Musical Life in Soviet Russia : Enlarged Edition, 1917–1981 / / Boris Schwarz

Pubbl/distr/stampa

Indiana University Press, 1983

Baltimore, Maryland : , : Project Muse, , 2021

Edizione

[Enlarged edition.]

Descrizione fisica

1 online resource (1 EPUB unpgaed)

Disciplina

780/.947

Soggetti

Music - Soviet Union - History and criticism

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Sommario/riassunto

According to Stalin, Soviet music was to be "an art national in form and socialist in content." The degree to which this dictum has been followed in modern Russian music is scrupulously recorded in the enlarged edition of Music and Musical Life in Soviet Russia. It contains Boris Schwarz' frank commentary on Soviet music, composers, concerts, competitions, and musical conditions in the Soviet Union. But the book as a whole is more than a musical history. It encompasses the growth of Soviet cultural life—not only composition and performance, but also ballet and opera, educational institutions and curricula, books and journals on music, and musical "politics."