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Record Nr. |
UNINA9910473452003321 |
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Autore |
Olivari Anna Maria |
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Titolo |
Doktor Faustus (ver-)stimmen : Kompositionen zu Thomas Manns Roman / / von Anna Maria Olivari |
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Pubbl/distr/stampa |
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Springer Nature, 2021 |
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Berlin, Heidelberg : , : Springer Berlin Heidelberg : , : Imprint : J.B. Metzler, , 2021 |
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ISBN |
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Edizione |
[1st ed. 2021.] |
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Descrizione fisica |
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1 online resource (XXIII, 417 S. 51 Abb.) |
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Classificazione |
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Disciplina |
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Soggetti |
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Music |
Literature |
Literature, general |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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Beispiel 1 Kap. 4 Apocalipsis cum figuris -- 4.1 Apokalypsen in Doktor Faustus -- 4.2 Vom Roman zur Musik -- 4.2.1 Inverse Warnapokalypsen: Konrad Boehmers Apocalipsis cum figuris -- Beispiel 2 Kap. 7 Zeitblom und die Viola d’amore -- 7.1 Die (unzuverlässige) Erzählinstanz von Doktor Faustus -- 7.2 Vom Roman zur Musik -- 7.2.2 Simulierte Gleichzeitigkeit, Archivkunst und Autorinszenierung: Lars Petter Hagens To Zeitblom. |
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Sommario/riassunto |
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In diesem Open-Access-Buch widmet sich Anna Maria Olivari der Forschungslücke der Vertonung von Thomas Manns Doktor Faustus. Sie untersucht ein Korpus von 13 unterschiedlichen Kompositionen aus dem Bereich der Neuen Musik (Opern, Monodramen, instrumentale Werke), die zwischen 1952 und 2011 entstanden sind und bisher wenig bis gar nicht rezipiert wurden. Thomas Manns Doktor Faustus ist in vielerlei Hinsicht ein breit erforschtes Werk, jedoch nicht in Bezug auf seine Vertonungen. Der Vergleich zwischen Roman und Komposition ist im Forschungsparadigma der Intermedialität angesiedelt und ermöglicht die Rekonstruktion der kompositorischen Rezeptionsgeschichte von Doktor Faustus. Die Rückkopplungseffekte zwischen Text und Musik lassen Thomas Manns Roman neu lesen. Die Autorin, Dr. Anna Maria Olivari ist Akademische Rätin auf Zeit am |
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Lehrstuhl für neuere und neueste deutsche Literatur mit dem Schwerpunkt Gender und Diversität der Technischen Universität Dortmund. Ihre wissenschaftlichen Schwerpunkte liegen in der Musikliteraturforschung sowie in der Intersektionalitäts- und Diversitätsforschung. . |
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2. |
Record Nr. |
UNINA9910548176603321 |
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Autore |
González Quintero Catalina |
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Titolo |
Academic Skepticism in Hume and Kant : A Ciceronian Critique of Metaphysics / / by Catalina González Quintero |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Springer, , 2022 |
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ISBN |
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9783030897505 |
9783030897499 |
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Edizione |
[1st ed. 2022.] |
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Descrizione fisica |
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1 online resource (281 pages) |
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Collana |
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Synthese Library, Studies in Epistemology, Logic, Methodology, and Philosophy of Science, , 2542-8292 ; ; 449 |
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Disciplina |
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Soggetti |
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Philosophy - History |
Science - History |
History of Philosophy |
History of Science |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di contenuto |
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1. Introduction -- 2. The Skepticism of the New Academy: From Epoche to Persuasion -- 3. Academic Skepticism and Metaphysics: On the Gods and the Immortal Soul -- 4. Hume's Academic Skepticism: A Normative Theory of Belief -- 5. Hume and Cicereo on Metaphysics: Philo's Non-dogmatic Deism -- 6. Skepticism vs. Skeptical Method: Sources of Ancient and Modern Skepticism in Kant -- 7. Kant’s Critical Solution to the Antinomies as an Academic Response to the Apraxia Objection -- 8. Conclusion. |
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Sommario/riassunto |
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This book offers an unprecedented study of the influence of the skepticism of the New Platonic Academy on David Hume’s and Immanuel Kant’s critiques of metaphysics. By demonstrating how the |
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skeptical teachings of the Academy affected these authors’ Enlightened attacks on traditional metaphysics, this book deepens and broadens the burgeoning scholarship on the role that the Ancients schools of skepticism played in the configuration of Modern skeptical outlooks. It bolsters the newfound recognition that we must reconsider the conventional view that the revival of Pyrrhonism in the sixteenth and seventeenth centuries gave birth to Modern skepticism by incorporating the influence of Academic skepticism in the analysis. Giving a new impetus to this line of research, the author argues that Academic ideas and methods informed Hume’s and Kant’s critique of metaphysics in substantial and thus far unacknowledged ways. Specifically, she demonstrates the centrality of Academic skepticismto Hume’s epistemology and critique of religion through a detailed analysis of his theory of belief in the Treatise and the first Enquiry as well as of its application in the Dialogues concerning Natural Religion. Likewise, her analysis reveals how Kant’s anti-metaphysical stance, developed in the Transcendental Dialectic of the Critique of Pure Reason, contains many skeptical insights of Academic inspiration, bequeathed to him by Hume. |
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