1.

Record Nr.

UNINA9910304360303321

Titolo

Giovani architetti romani = = Young architects in Rome / a cura di Giuseppe Rebecchini, Paola Veronica Dell'Aira, Chiara Naseddu

Pubbl/distr/stampa

Roma : Gangemi Editore, 2004

ISBN

88-4920-539-2

Descrizione fisica

111 p. : ill. ; 17 cm

Disciplina

720.922

720.92245632

721.09049

Locazione

FARBC

Collocazione

ARCH A 354

Lingua di pubblicazione

Italiano

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia



2.

Record Nr.

UNINA9910537213903321

Autore

Vanderschelden Isabelle

Titolo

Studying French cinema / / Isabelle Vanderschelden

Pubbl/distr/stampa

Leighton Buzzard : , : Auteur, , [2013]

©2013

ISBN

1-80034-734-0

1-906733-91-0

Descrizione fisica

1 online resource (251 p.)

Disciplina

791.430944

Soggetti

Motion pictures - France

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Contents; Introduction; 1. François Truffaut: An Auteur's representation of childhood; 2. French New Wave and Godard in the 1960s; 3. New Wave legacy and the French Auteur; 4. Social Realism and Agnès Varda's Cinécriture; 5. Louis Malle's (Hi)Stories of the Occupation; 6. Adolescence and coming of age in Claude Miller's Intimist Cinema; 7. French Documentary Film and a Vision of the World; 8. Traits and Traditions in French Film Comedy; 9. The Renewal of French Historical Drama and Heritage Film; 10. Road Movie, Transnational Cinema and Self-Discovery Journey; Glossary; Bibliography

FilmographyIndex

Sommario/riassunto

Taking a text-led approach, with the emphasis on more recent popular films, Studying French Cinema is directed at non-specialists such as students of French, Film Studies, and the general reader with an interest in post-war French cinema. Each of the chapters focuses on one or more key films from the ground-breaking films of the nouvelle vague (Les 400 coups, 1959) to contemporary documentary (Etre et avoir, 2002) and puts them into their relevant contexts. Depending on the individual film, these include explorations of childhood, adolescence and coming of age (Les 400 coups, L'Argent de poche