1.

Record Nr.

UNINA9910713652003321

Autore

Collins John H.

Titolo

Alterations and tests of the "Farnboro" engine indicator / / by John H. Collins, Jr

Pubbl/distr/stampa

Washington, [D.C.] : , : National Advisory Committee for Aeronautics, , 1930

Descrizione fisica

1 online resource (14 pages, 5 unnumbered pages) : illustrations

Collana

Technical notes / National Advisory Committee for Aeronautics ; ; No. 348

Soggetti

Internal combustion engines - Indicators

Recording instruments - Testing

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

"September, 1930."

No Federal Depository Library Program (FDLP) item number.

Nota di bibliografia

Includes bibliographical references (page 14).



2.

Record Nr.

UNINA9910524878003321

Autore

Mulholland James <1975->

Titolo

Sounding imperial : poetic voice and the politics of empire, 1730-1820 / / James Mulholland

Pubbl/distr/stampa

Baltimore, : Johns Hopkins University Press, 2012

ISBN

1-4214-0855-4

Edizione

[1st ed.]

Descrizione fisica

1 online resource (232 p.)

Disciplina

821.709

Soggetti

English poetry - 18th century - History and criticism

English poetry - 19th century - History and criticism

Imperialism in literature

Political poetry - History and criticism

Politics and literature - History - 18th century

Politics and literature - History - 19th century

Politics in literature

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Description based upon print version of record.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

""Contents""; ""List of Illustrations""; ""Acknowledgments""; ""Introduction: The Global Aesthetics of Poetic Voice""; ""1. Thomas Gray, Virtual Authorship, and the Performed Voice""; ""Authoring Gray�s “Elegy�""; ""Performing Gray�s “Elegy�""; ""Impersonating the Bard?""; ""Wildness and Welsh Prosody""; ""Quotation Marks""; ""(Un)Editing the Bards""; ""2. Wales, Public Poetry, and the Politics of Collective Voice""; ""Bardic Nationalism Reconsidered""; ""The Aboriginal Aesthetics of Iolo Morganwg""; ""Listening to the Welsh Past""; ""Dead Voices Reanimated""

""3. Scotland and the Invention of Voice""""Primitive Passions, Poetry Addiction, History""; ""Ambiguous Speech""; ""Writing, Re-performance, and Restored Voices""; ""Intimate Hailing""; ""Ossian�s Afterlife""; ""4. Impersonating Native Voices in Anglo-Indian Poetry""; ""William Jones and the Fountainhead of Verse""; ""Making the Subaltern Speak""; ""Rewriting Gray�s “The Bard� in India""; ""Dislocated Orientalism""; ""Coda: Reading the Archive of the Inauthentic""; ""Notes""; ""Bibliography""; ""Index""; ""A""; ""B""; ""C""; ""D""; ""E""; ""F"";



""G""; ""H""; ""I""; ""J""; ""K""

""L""""M""; ""N""; ""O""; ""P""; ""Q""; ""R""; ""S""; ""T""; ""V""; ""W""; ""Z""

Sommario/riassunto

Sounding Imperial offers a more nuanced sense of poetry's unseen role in larger historical processes, emphasizing not just appropriation or collusion but the murky middle range in which most British authors operated during their colonial encounters and the voices that they used to make those cross-cultural encounters seem vivid and alive.