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1. |
Record Nr. |
UNISALENTO991002378639707536 |
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Autore |
Stradi, Riccardo |
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Titolo |
Analytical enantioseparations : polysaccaharides and their derivatives as chiral stationary phases (CSP) / R. Stradi, R. Di Bartolo, G. Celentano |
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Pubbl/distr/stampa |
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[S. l.] : Perkin Elmer, [1992] |
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Descrizione fisica |
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xxxvi, [367] p. : ill. ; 24 cm |
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Altri autori (Persone) |
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Di Bartolo, Rocco |
Celentano, Giuseppe |
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Disciplina |
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Soggetti |
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Liquid chromatography - Chirality - Separation |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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2. |
Record Nr. |
UNINA9910427566403321 |
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Titolo |
Hunting adventures in the northern wilds; or, A tramp in the Chateaugay woods, over hills, lakes, and forest streams |
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Pubbl/distr/stampa |
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New York, : Derby & Jackson, 1856 |
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Descrizione fisica |
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Soggetti |
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Description and travel |
Hunting |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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3. |
Record Nr. |
UNINA9910524868103321 |
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Autore |
Chase Cynthia <1953-> |
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Titolo |
Decomposing Figures : Rhetorical Readings in the Romantic Tradition / / Cynthia Chase |
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Pubbl/distr/stampa |
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Johns Hopkins University Press |
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ISBN |
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0-8018-3136-9 |
1-4214-3409-1 |
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Edizione |
[1st ed.] |
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Descrizione fisica |
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1 online resource (1 online resource (ix, 234 pages)) |
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Disciplina |
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Soggetti |
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Letterkunde |
Literaire thema's |
Romantiek |
Romanticism |
European literature |
Rhetorique |
Litterature europeenne - Histoire et critique |
Romantisme - Europe |
European literature - History and criticism |
Romanticism - Europe |
Criticism, interpretation, etc. |
Electronic books. |
Europe |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Originally published in 1986 |
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Nota di bibliografia |
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Includes bibliographical references (pages 209-228) and index. |
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Nota di contenuto |
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Mutable images: voice and figure -- The accidents of disfiguration: limits to literal and figurative reading of Wordsworth's "Books" -- The ring of Gyges and The coat of darkness: reading Rousseau with Wordsworth -- Viewless wings: Keats's Ode to a nightingale -- Giving a face to a name: De Man's figures -- Getting versed: reading Hegel with Baudelaire -- Past effects: the double reading of narrative -- Mechanical doll, exploding machine: Kleist's models of narrative -- The decomposition of the elephants: double-reading Daniel Deronda -- Oedipal textuality: reading Freud's reading of Oedipus -- Paragon, |
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parergon: Baudelaire translates Rousseau. |
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Sommario/riassunto |
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Originally published in 1986. The ghastly fate of a drowned man brought to a lake's surface in Wordsworth's "Prelude" typifies a fundamental pattern in Romantic writing, argues Cynthia Chase. Disfiguration involves not only a departure from representation but a disruption of the logic of figure or form, a decomposition of the figures composing the text. Ultimately it manifests the conflict between a work's meaning and its mode of performance. By means of an intense engagement with texts in the romantic tradition, Decomposing Figures rearticulates and recasts crucial concepts in recent literary theory, including the notion of the self-referential or self-reflexive nature of the literary work. Chase's readings show that, far from implying a privileged status, the work's self-reflexive structure entails its opacity, its inability to read itself, and the necessity of its decomposition. |
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