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Record Nr. |
UNINA9910699044903321 |
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Titolo |
A look at child welfare from a homeless education perspective [[electronic resource]] |
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Pubbl/distr/stampa |
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Greensboro, NC : , : National Center for Homeless Education at the SERVE Center, , [2007] |
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Descrizione fisica |
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1 online resource (20 pages) : illustrations |
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Soggetti |
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Homeless children - Services for - United States |
Federal aid to services for the homeless - United States |
Child welfare - United States |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Title from title screen (viewed on Jan. 8, 2010). |
"Fall 2007." |
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Nota di bibliografia |
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Includes bibliographical references. |
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2. |
Record Nr. |
UNINA9910524854303321 |
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Autore |
Liddell Brendan E. A. <1927-> |
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Titolo |
Sergei Eisenstein and Upton Sinclair : The Making and Unmaking of "Que Viva Mexico!" / / translated with commentary by Brendan E.A. Liddell |
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Pubbl/distr/stampa |
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Indiana University Press, 1970 |
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Bloomington, : Indiana University Press, [1970] |
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©[1970] |
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ISBN |
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Descrizione fisica |
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1 online resource (1 online resource x, 277 pages) |
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Soggetti |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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This fascinating study presents for the first time the full story of Eisenstein's disastrous attempt to make a great film in Mexico, a motion picture "symphony" of Mexican life, history, culture, and the perpetual Mexican fiesta of death. It clarifies the relationship between Eisenstein and Upton Sinclair, the American novelist who financed the picture, and reveals the causes and consequences of Sinclair's withdrawal of financial backing. Eisenstein was at the height of his creative powers when he began working on the Mexican film. The fiasco that ended the project was to leave a permanent mark on his life and work, while Sinclair was to be vilified on both sides of the Atlantic as the desecrator of the most important film of the world's greatest motion picture director. The book presents the story of these events in a unique manner by embedding the actual correspondence of the main participants in a commentary by Professors Geduld and Gottesman, who have endeavored to tell the truth about a tragic episode in the history of the cinema. |
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