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Record Nr. |
UNINA9910524849403321 |
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Autore |
Finlay Marike |
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Titolo |
The Potential of Modern Discourse : Musil, Peirce, and Perturbation / / Marike Finlay |
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Pubbl/distr/stampa |
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Indiana University Press, 1990 |
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Bloomington : , : Indiana University Press, , 1990 |
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©1990 |
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ISBN |
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Descrizione fisica |
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1 online resource (1 online resource xii, 186 pages.) |
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Collana |
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Soggetti |
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Semiotik |
Konversationsanalyse |
Connaissance, Theorie de la |
Analyse du discours |
Semiotique |
Semiotiek |
Discourse analysis |
Kennistheorie |
Semiotics |
Knowledge, Theory of |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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The postmodern response to the century-old crisis of classical discourse (which called into question the possibility of a fixed, objective, and absolute knowledge) has been to declare the death of the subject, and the end or absence of meaning. The Potential of Modern Discourse seeks to recover for contemporary discourse an alternative possibility by returning to the modernist project of linking ethics, politics, and the discourse of knowledge. In the multiple, ironic discourses of Robert Musil, the semiotics of Charles Sanders Peirce, and the physics of Werner Heisenberg, Marike Finlay finds the basis for a |
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new discourse of knowledge. In her pragmatic, consensualmodel, meaning and truth are not objectively or unilaterally established, but rather "triadically" co-constructed as realtionship among "object," "representamen" (or "sign"), and "interpretant" (the terms are Peirce's), and this triadic realtionship is constantly shifting through time and space. By approaching Musil's The Man without Qualities as discourse, Finlay finds in it a re-presentation of the theory of knowledge implicit in the Peircean triadicity and Heisenber's philosophy of physics. Her reading constitutes one of the first attempts to apply Peircean semiotics to a literary work. in Musil's modernist response to the crisis of representation, Finlway discovers an alternative to the postmodernist complete deconstruction of sense. |
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