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1. |
Record Nr. |
UNINA9910522584403321 |
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Autore |
Beaugé Julien |
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Titolo |
Islams de France, Islams d’Europe / / Élise Voguet, Anne Troadec |
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Pubbl/distr/stampa |
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Marseille, Paris, : Diacritiques Éditions, 2022 |
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ISBN |
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Descrizione fisica |
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1 online resource (164 p.) |
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Collana |
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Les Conférences de l’IISMM |
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Altri autori (Persone) |
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BéraudCéline |
Bergeaud-BlacklerFlorence |
DakhliaJocelyne |
EbnouMohammed Beddy |
FuessAlbrecht |
GalembertClaire de |
GodardBernard |
GrémontCharles |
LucaNathalie |
Marongiu-PerriaOmero |
PaucherClaire |
ThielmannJörn |
ThomasDominique |
Wihtol de WendenCatherine |
VoguetÉlise |
TroadecAnne |
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Soggetti |
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Religion |
aumônier |
halal |
immigration |
islam |
islamisme |
musique populaire |
musulmans |
prisons |
chaplain |
Islamism |
popular music |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Le regard que l’on porte habituellement sur la population musulmane de notre pays est en grande partie déterminé par les conditions historiques et les caractéristiques sociologiques de celle-ci. Or les origines de cette population, enfant non assumée de la colonisation et fille d’une immigration encore largement cantonnée aux banlieues, remontent au moins à la fin du 19e siècle. Le cycle de conférences publiques que propose l’IISMM entend restituer la diversité de ces islams de France et éclairer les enjeux et les non-dits des débats que suscite cette présence musulmane dans l’un des pays promoteurs de la laïcité. |
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2. |
Record Nr. |
UNINA9910765877003321 |
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Autore |
Ribas Daniel <1978-, > |
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Titolo |
Uma dramaturgia da violência |
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Pubbl/distr/stampa |
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Imprensa de História Contemporânea, 2019 |
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ISBN |
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Descrizione fisica |
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Soggetti |
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Film theory & criticism |
Postwar 20th century history, from c 1945 to c 2000 |
Social & cultural history |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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This book intends to examine the films of João Canijo and their ties to representations of national identity. For that purpose, we did a review of literature on Portuguese cultural identity in its diverse dimensions (historical, literary and anthropological), focusing on the importance of Salazar’s ideology and the current identity debates. In the second part of this thesis, we try to analyse eight feature films made by the |
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director, proposing the idea of a dramaturgy of violence, through intertextuality with Greek tragedy and film melodrama, which gives a perspective of a representation of contemporary Portugal, based on a patriarchal society and its violence. We argue the importance of concepts such as non-inscription, by José Gil, or the repressed, by Eduardo Lourenço, to comprehend the films. At last, our analysis debates the issue of realism in cinema, through the prism of contemporary changes suggested by the work of the filmmaker, which fuses fictional and documentary elements. Finally, we suggest a type of dramaturgy of violence in João Canijo’s films that try to question the existing images of Portuguese identity and its cultural representations. |
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