1.

Record Nr.

UNINA9910522584403321

Autore

Beaugé Julien

Titolo

Islams de France, Islams d’Europe / / Élise Voguet, Anne Troadec

Pubbl/distr/stampa

Marseille, Paris, : Diacritiques Éditions, 2022

ISBN

979-1-0970-9357-0

Descrizione fisica

1 online resource (164 p.)

Collana

Les Conférences de l’IISMM

Altri autori (Persone)

BéraudCéline

Bergeaud-BlacklerFlorence

DakhliaJocelyne

EbnouMohammed Beddy

FuessAlbrecht

GalembertClaire de

GodardBernard

GrémontCharles

LucaNathalie

Marongiu-PerriaOmero

PaucherClaire

ThielmannJörn

ThomasDominique

Wihtol de WendenCatherine

VoguetÉlise

TroadecAnne

Soggetti

Religion

aumônier

halal

immigration

islam

islamisme

musique populaire

musulmans

prisons

chaplain

Islamism

popular music

Lingua di pubblicazione

Francese



Formato

Materiale a stampa

Livello bibliografico

Monografia

Sommario/riassunto

Le regard que l’on porte habituellement sur la population musulmane de notre pays est en grande partie déterminé par les conditions historiques et les caractéristiques sociologiques de celle-ci. Or les origines de cette population, enfant non assumée de la colonisation et fille d’une immigration encore largement cantonnée aux banlieues, remontent au moins à la fin du 19e siècle. Le cycle de conférences publiques que propose l’IISMM entend restituer la diversité de ces islams de France et éclairer les enjeux et les non-dits des débats que suscite cette présence musulmane dans l’un des pays promoteurs de la laïcité.

2.

Record Nr.

UNINA9910765877003321

Autore

Ribas Daniel <1978-, >

Titolo

Uma dramaturgia da violência

Pubbl/distr/stampa

Imprensa de História Contemporânea, 2019

ISBN

989-8956-07-0

Descrizione fisica

1 online resource (281)

Soggetti

Film theory & criticism

Postwar 20th century history, from c 1945 to c 2000

Social & cultural history

Lingua di pubblicazione

Portoghese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Sommario/riassunto

This book intends to examine the films of João Canijo and their ties to representations of national identity. For that purpose, we did a review of literature on Portuguese cultural identity in its diverse dimensions (historical, literary and anthropological), focusing on the importance of Salazar’s ideology and the current identity debates. In the second part of this thesis, we try to analyse eight feature films made by the



director, proposing the idea of a dramaturgy of violence, through intertextuality with Greek tragedy and film melodrama, which gives a perspective of a representation of contemporary Portugal, based on a patriarchal society and its violence. We argue the importance of concepts such as non-inscription, by José Gil, or the repressed, by Eduardo Lourenço, to comprehend the films. At last, our analysis debates the issue of realism in cinema, through the prism of contemporary changes suggested by the work of the filmmaker, which fuses fictional and documentary elements. Finally, we suggest a type of dramaturgy of violence in João Canijo’s films that try to question the existing images of Portuguese identity and its cultural representations.