1.

Record Nr.

UNIPARTHENOPE000004829

Autore

Laurini, Giancarlo

Titolo

Le sfide del notariato : il notaio fra cittadino e istituzioni / Giancarlo Laurini

Pubbl/distr/stampa

Milano : Giuffrè, 2002

ISBN

88-14-09025-4

Descrizione fisica

XVIII, 256 p. ; 24 cm

Disciplina

347.45016

Collocazione

347 - S/1

Lingua di pubblicazione

Italiano

Formato

Materiale a stampa

Livello bibliografico

Monografia

2.

Record Nr.

UNINA9910480620303321

Autore

Castillo Lluch Mónica

Titolo

Las Lenguas de España. Política lingüística, sociología del lenguaje e ideología desde la Transición hasta la actualidad. / / Mónica Castillo Lluch; Johannes Kabatek

Pubbl/distr/stampa

Frankfurt am Main : , : Vervuert Verlagsgesellschaft, , [2006]

©2006

Descrizione fisica

1 online resource (241 pages)

Collana

Lingüística Iberoamericana ; ; 28

Disciplina

306.440946

Soggetti

Sociolinguistics

Electronic books.

Lingua di pubblicazione

Spagnolo

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Contiene índice.

Nota di contenuto

Front matter -- Índice -- Introducción / Castillo, Mónica / Kabatek, Johannes -- Un diagnóstico sociolingüístico de España / Lodares, Juan



Ramón -- 25 años de la Constitución española: un balance sociolingüístico desde los (y las) catalanohablantes / Boix, Emili -- Política y lengua en Galicia: la "normalización" de la lengua gallega / Regueira, Xosé Luís -- Los procesos de cambio lingüístico y sus agentes. Un balance de la política lingüística de promoción del euskera en la Comunidad Autónoma Vasca / Tejerina, Benjamín -- Requisitos para ser lengua: el caso del asturiano y de otras modalidades lingüísticas de España / Kabatek, Johannes -- Competencias, actitudes y prácticas lingüísticas de la sociedad valenciana contemporánea / Nicolás, Miquel -- La influencia del marco estatal en el porvenir de las lenguas: balance contrastado España-Francia en las zonas catalanohablantes y vascohablantes / Lagarde, Christian -- Política lingüística en España y población extranjera / Pujol, Mercè -- Los discursos de los manuales de sociolingüística catalanes y la normalización: análisis desde los años 80 a la actualidad / Castillo, Mónica -- Direcciones De Los Autores

Sommario/riassunto

El volumen analiza la situación actual de las lenguas de España: el gallego, el euskera y catalán (también en territorio francés) y el asturiano. Se acerca a las diferentes realidades lingüísticas (incluida la de los inmigrantes) y las principales evoluciones desde la Transición, y ofrece una evaluación con enfoques ideológicos diversos, reflejando de este modo los abismos entre quienes apoyan una mayor emancipación de las diferentes lenguas y quienes consideran su promoción como peligro para la comunicabilidad a través de vastos espacios.



3.

Record Nr.

UNINA9910784405003321

Titolo

Literary cultures in history : reconstructions from South Asia / / editor, Sheldon Pollock

Pubbl/distr/stampa

Berkeley : , : University of California Press, , 2003

ISBN

0-520-92673-0

9786612356759

1-282-35675-5

1-59734-718-3

Descrizione fisica

1 online resource (1104 pages) : illustrations, maps

Altri autori (Persone)

PollockSheldon I

Disciplina

891.4

Soggetti

Indic literature - History and criticism

Literature and society - South Asia - History

Politics and literature - South Asia - History

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

"A Philip E. Lilienthal book."

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

pt. 1. Globalizing literary cultures -- pt. 2. Literature in southern locales -- pt. 3. The centrality of borderlands -- pt. 4. Buddhist cultures and South Asian literatures -- pt. 5. The twinned histories of Urdu and Hindi.

Sommario/riassunto

A grand synthesis of unprecedented scope, Literary Cultures in History is the first comprehensive history of the rich literary traditions of South Asia. Together these traditions are unmatched in their combination of antiquity, continuity, and multicultural complexity, and are a unique resource for understanding the development of language and imagination over time. In this unparalleled volume, an international team of renowned scholars considers fifteen South Asian literary traditions-including Hindi, Indian-English, Persian, Sanskrit, Tibetan, and Urdu-in their full historical and cultural variety.The volume is united by a twofold theoretical aim: to understand South Asia by looking at it through the lens of its literary cultures and to rethink the practice of literary history by incorporating non-Western categories and processes. The questions these seventeen essays ask are accordingly broad, ranging from the character of cosmopolitan and vernacular



traditions to the impact of colonialism and independence, indigenous literary and aesthetic theory, and modes of performance. A sophisticated assimilation of perspectives from experts in anthropology, political science, history, literary studies, and religion, the book makes a landmark contribution to historical cultural studies and to literary theory in addition to the new perspectives it offers on what literature has meant in South Asia.(Available in South Asia from Oxford University Press--India)

4.

Record Nr.

UNINA9910513600803321

Autore

Hanan David

Titolo

Moments in Indonesian Film History : Film and Popular Culture in a Developing Society 1950-2020 / / by David Hanan

Pubbl/distr/stampa

Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021

ISBN

9783030726133

9783030726126

Edizione

[1st ed. 2021.]

Descrizione fisica

1 online resource (371 pages)

Disciplina

384.84

791.4309598

Soggetti

Motion pictures - Asia

Culture - Study and teaching

Asian Film and TV

Cultural Studies

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Introduction -- Chapter 1. Filming the 'Struggle for the Nation', and its Aftermath: The Early Films of Usmar Ismail and the Perfini Company (1950-1954) -- Chapter 2. A Tradition of Political Allegory and Political Satire in Indonesian Cinema (1955-2003) -- Chapter 3. Islam in The Indonesian Cinema: Legends and Spirituality. Psychology and Politics (1960s-1990s) -- Chapter 4. Betawi Moderen: Songs and Films of Benyamin S from Jakarta in the 1970s: A Popular Culture of the Poor --



Chapter 5. Third World Experimental Narrative in Indonesian Film: Travelling the Centre-Periphery Axis (1979-1985) -- Chapter 6. Developments in Indonesian -- Cinema since 1998: A Survey -- Conclusion.

Sommario/riassunto

'Political allegory and satire, representations of Islam, third world cinema, films by newly-emerging women filmmakers-David Hanan's panorama of exceptional moments in Indonesian cinema since independence shows expertise in the inspirational wealth of insights that he offers, in relating key films to the histories, national ideologies, and complex, evolving social formations from which these films emerge, and at times critique, in multicultural Indonesia.' - Dina Iordanova, Emeritus Professor of Global Cinema at the University of St Andrews, Scotland This book explores Indonesian cinema, focusing on moments of unique creativity by Indonesian film artists who illuminate important but less-widely-known aspects of their multi-dimensional society. It begins by exploring early 1950s 'Indonesian neorealist films' of the Perfini group, which depict the ethos and emerging moral issues of the period of struggle for independence (1945-49). It continues by discussing four audacious political allegories produced in four discrete political eras-including the Sukarno, Suharto and Reformasi periods. It also surveys the main approaches to Islam in both popular cinema and auteur films during the Suharto New Order. One chapter celebrates the popular songs and B-movies of the Betawi comedian, Benyamin S, which dramatize the experience of the poor in 'modernizing' Jakarta. Another examines persisting Third World dimensions of Indonesian society as critiqued in two experimental features. The concluding chapter highlights innovation in a renewed Indonesian cinema of the post-Suharto Reformasi period (1999-2020), including films by an unprecedented generation of women writer-directors.