1.

Record Nr.

UNINA9910511636703321

Autore

Titmarsh Mark

Titolo

Expanded painting : ontological aesthetics and the essence of colour / / Mark Titmarsh

Pubbl/distr/stampa

[New York] : , : Bloomsbury Academic, , 2017

ISBN

1-350-00419-7

1-350-00416-2

Descrizione fisica

1 online resource (228 pages)

Disciplina

745.723

Soggetti

Aesthetics

Art - Philosophy

Color in art

Ontology

Painting - Philosophy

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Chapter 1. The Presence of Paint -- Chapter 2. Expanded Painting -- Chapter 3. Post Aesthetics -- Chapter 4. An Ontology of Colour -- Chapter 5. The Painting of Being -- Notes -- Bibliography.

Sommario/riassunto

"The relevance of painting has been questioned many times over the last century, by the arrival of photography, installation art and digital technologies. But rather than accept the death of painting, Mark Titmarsh traces a paradoxical interface between this art form and its opposing forces to define a new practice known as 'expanded painting' giving the term historical context, theoretical structure and an important place in contemporary practice. As the formal boundaries tumble, the being of painting expands to become a kind of total art incorporating all other media including sculpture, video and performance. Painting is considered from three different perspectives: ethnology, art theory and ontology. From an ethnological point of view, painting is one of any number of activities that takes place within a culture. In art theory terms, painting is understood to produce objects of interest for humanities disciplines. Yet painting as a medium often



challenge both its object and image status, 'expanding' and creating hybrid works between painting, objects, screen media and text. Ontologically, painting is understood as an object of aesthetic discourse that in turn reflects historical states of being. Thus, Expanded Painting delivers a new kind of saying, a post-aesthetic discourse that is attuned to an uncanny tension between the presence and absence of painting."--Bloomsbury Publishing.

2.

Record Nr.

UNINA9910796878803321

Autore

Torday John S.

Titolo

Evidence-based evolutionary medicine / / John S. Torday, Neil Blackstone, Virender Rehan

Pubbl/distr/stampa

Hoboken, New Jersey : , : Wiley Blackwell, , 2019

ISBN

1-118-83833-5

1-118-83831-9

Descrizione fisica

1 online resource (641 pages)

Collana

New York Academy of Sciences

Classificazione

491.69

QZ 50

Altri autori (Persone)

BlackstoneNeil W <1954-> (Neil Whitfield)

Disciplina

576.8/4

Soggetti

Medicine

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Nota di bibliografia

Includes bibliographical references and indexes.

Nota di contenuto

A brief history of evolutionary thinking -- Outlining the major transitions in the history of life -- One central mystery : why did eukaryotes only evlove once? -- A levels-of-selection view of evolutionary physiology -- The cell as the smallest functional unit of biology/physiology -- Development of tissues and organs -- When homeostasis fails -- Wnt signaling during development -- Integrated regulation of homeostasis : vascular, nervous, endocrine, neuroendocrine, autonomic -- Endogenous and exogenous mechanisms for healing -- Systems biology as recapitulation of ontogeny and phylogeny -- Terminal addition as physiologic homeostasis and regeneration, or evolutionary medicine -- Phanton limbs, imagination and epigenetics -- Man's place in the universe -- Evolution, deception, and public health.



Sommario/riassunto

"A groundbreaking, evidence-based text to the growing field of evolutionary medicine"--Provided by publisher.