1.

Record Nr.

UNINA9910511470103321

Autore

Courbot Leo <1989->

Titolo

Fred D'Aguiar and Caribbean literature : metaphor, myth, memory / / by Leo Courbot

Pubbl/distr/stampa

Leiden, The Netherlands ; ; Boston : , : Brill Rodopi, , [2019]

©2019

ISBN

90-04-39407-9

Descrizione fisica

1 online resource

Collana

Cross/cultures : readings in post/colonial literatures and cultures in English, , 0924-1426 ; ; volume 208

Disciplina

818.5409

Soggetti

Electronic books.

Lingua di pubblicazione

Inglese

Formato

Materiale a stampa

Livello bibliografico

Monografia

Note generali

Revision of author's thesis (doctoral)--Université Charles de Gaulle-Lille III, 2016, titled Myth, metaphor and memory in the work of Fred D'Aguiar.

Nota di bibliografia

Includes bibliographical references and index.

Nota di contenuto

Front Matter -- Copyright Page -- Preface: Reading Fred D’Aguiar -- Acknowledgements -- General Introduction: Caribbean Orphic -- Tropicality: Fred D’Aguiar’s Poetry -- Introduction to Part 1 -- Tropical (Re)Visions (of Mythology) -- (An)amnesic Waters -- Chronot(r)opes -- Partial Conclusion: Resisting Entropy -- Orphanhood: Fred D’Aguiar’s Novels -- Introduction to Part 2 -- Literate Slaves -- Orphic Orphans -- General Conclusion: Vatic Environmentalism and the Politics of Tropicality -- Back Matter -- Bibliography -- Index.

Sommario/riassunto

With Fred D'Aguiar and Caribbean Literature: Metaphor, Myth, Memory , Leo Courbot offers the first research monograph entirely dedicated to a comprehensive reading of the verse and prose works of Fred D'Aguiar, prized American author of Anglo-Guyanese origin. “Postcolonial” criticism, when related to the history of the African diaspora, regularly inscribes itself in the wake of Sartrean philosophy. However, Fred D'Aguiar's both typical and untypical Caribbean background, in addition to the singularity of his diction, call for a different approach, which Leo Courbot convincingly carries out by reading literature in the light of Jacques Derrida and Édouard Glissant's less conventional sense of the intrinsically metaphorical and cross-cultural nature of language.