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Record Nr. |
UNINA9910508606503321 |
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Autore |
Komunyakaa Yusef |
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Titolo |
Testimony, A Tribute to Charlie Parker [[electronic resource] ] : With New and Selected Jazz Poems |
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Pubbl/distr/stampa |
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Wesleyan University Press, 2013 |
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ISBN |
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Descrizione fisica |
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1 online resource (156 p.) |
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Collana |
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Disciplina |
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Soggetti |
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American poetry -- 19th century |
American poetry -- 20th century |
Poem |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di contenuto |
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""Cover""; ""Title Page""; ""Copyright""; ""Contents""; ""Foreword""; ""Rhythm Method""; ""Togetherness""; ""Twilight Seduction""; ""Woman, I Got the Blues""; ""Jasmine""; ""Gingkoes""; ""Tenebrae""; ""Cante Jondo""; ""Changes; or, Reveries at a Window Overlooking a Country Road, with Two Women Talking Blues in the Kitchen""; ""The Same Beat""; ""To Beauty""; ""Ignis Fatuus""; ""Pepper""; ""Satchmo, USA""; ""Nightbird""; ""Copacetic Mingus""; ""Gerry�s Jazz""; ""Speed Ball""; ""February in Sydney""; ""The Plea""; ""Elegy for Thelonious""; ""Dolphy�s Aviary""; ""Gutbucket"" |
""Blue Light Lounge Sutra for the Performance Poets at Harold Park Hotel""""The Story of a Coat""; ""No-Good Blues""; ""Ode to the Saxophone""; ""Coda""; ""Part One: Jazz Poems""; ""The Libretto""; ""Yusef Komunyakaa�s “Testimony� and the Humanity of Charlie Parker""; ""Survival Masks: An Interview with Yusef Komunyakaa""; ""Testimony""; ""The Music""; ""Testimony, The Ties that Bind""; ""French Flowers Blooming: The Music for Testimony""; ""Composer/Musical Director�s Notes""; ""Testimony, Songs and Musicians""; ""Australian Art Orchestra Performances""; ""Testimony, The Recording"" |
""Acknowledgments""""Selected Discography""; ""Selected Bibliography""; ""Contributors""; ""Part Two: Testimony"" |
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Sommario/riassunto |
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A collaborative tribute of words and music reflecting the tension and beauty of jazz, including the Australian Broadcasting Corporation audio recording with music by Sandy Evans |
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