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1. |
Record Nr. |
UNISA996212713303316 |
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Titolo |
Australian journal of mining : AJM |
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Pubbl/distr/stampa |
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Richmond North Vic, : Newstex LLC |
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ISSN |
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Soggetti |
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Earth Sciences - General and Others |
Engineering - Mining Engineering |
Material Science and Metallurgy - Metals, Minerals, Ores & Alloys |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Periodico |
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2. |
Record Nr. |
UNINA9910822696703321 |
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Autore |
Black Sara E. |
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Titolo |
Drugging France : mind-altering medicine in the long nineteenth century / / Sara E. Black |
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Pubbl/distr/stampa |
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Montreal, Quebec : , : McGill-Queen's University Press, , [2022] |
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©2022 |
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ISBN |
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0-2280-1251-1 |
0-2280-1252-X |
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Descrizione fisica |
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Collana |
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Classificazione |
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Disciplina |
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Soggetti |
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Drugs of abuse |
Psychotropic drugs |
History |
France |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Intro -- Title Page -- Copyright -- Contents -- Figures -- Acknowledgments -- Dedication -- Introduction -- { 1 } Psychotropic Pharmaceuticals -- { 2 } Self-Experimentation -- { 3 } Drugging the |
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Mind -- { 4 } Sex and Drugs -- { 5 } Economies of Pain -- Conclusion -- Notes -- Bibliography -- Index. |
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Sommario/riassunto |
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Nineteenth-century drug consumption permeated French society and encouraged the chemical enhancement of modern life. Drugging France highlights the medical histories of these drugs, chronicling how doctors transformed exotic botanicals and unpredictable chemicals into substances that reconfigured how people experienced their minds and bodies. |
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3. |
Record Nr. |
UNINA9910502664003321 |
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Autore |
Johnson Linda |
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Titolo |
Art, Ethics and the Human-Animal Relationship / / by Linda Johnson |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
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ISBN |
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Edizione |
[1st ed. 2021.] |
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Descrizione fisica |
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1 online resource (329 pages) |
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Collana |
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The Palgrave Macmillan Animal Ethics Series, , 2634-6680 |
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Disciplina |
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Soggetti |
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Aesthetics |
Ethics |
Animal welfare - Moral and ethical aspects |
Arts |
Moral Philosophy and Applied Ethics |
Animal Ethics |
Fine Art |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Nota di contenuto |
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1. Chapter 1: Introduction -- 2. Chapter 2: A New Breed: The Cat as Scapegoat in Edenic and Utopian Imagery -- 3. Chapter 3: Virtue and Vice in High Couture -- 4. Chapter 4: Transformational Approaches: Equine Speciesism -- 5. Chapter 5: Looking Askance: The Changing Shape Of "Meat" In Dutch Still Life Painting -- 6. Chapter 6: Historical Processes: Embodied /Embedded -- 7. Chapter 7: Absent Referents: |
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Bristly Brushes -- 8. Chapter 8: Conclusion: Darkness into Light -- . |
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Sommario/riassunto |
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'An outstanding work. Brilliant, scholarly, and insightful. Linda Johnson has established herself as the leading art historian of our complex relationship with animals. Her work shows how art can enhance as well as denigrate the status of other species. She has opened up a whole new field of artistic endeavour.' - Professor Andrew Linzey, Director of the Oxford Centre for Animal Ethics, UK This book examines the works of major artists between the seventeenth and nineteenth centuries, as important barometers of individual and collective values toward non-human life. Once viewed as merely representational, these works can also be read as tangential or morally instrumental by way of formal analysis and critical theories. Chapter Two demonstrates the discrimination toward large and small felines in Genesis and The Book of Revelation. Chapter Three explores the cruel capture of free roaming animals and how artists depicted their furs, feathersand shells in costume as symbols of virtue and vice. Chapter Four identifies speciest beliefs between donkeys and horses. Chapter Five explores the altered Dutch kitchen spaces and disguised food animals in various culinary constructs in still life painting. Chapter Six explores the animal substances embedded in pigments. Chapter Seven examines animals in absentia-in the crafting of brushes. The book concludes with the fish paintings of William Merritt Chase whose glazing techniques demonstrate an artistic approach that honors fishes as sentient beings. |
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