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1. |
Record Nr. |
UNINA9910455244103321 |
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Autore |
Edwards Mark |
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Titolo |
Catholicity and Heresy in the Early Church / / by Mark Edwards |
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Pubbl/distr/stampa |
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Boca Raton, FL : , : Routledge, , [2018] |
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©2009 |
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ISBN |
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1-351-95306-0 |
1-315-26077-8 |
1-351-95305-2 |
1-282-34425-0 |
9786612344251 |
0-7546-9597-2 |
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Edizione |
[First edition.] |
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Descrizione fisica |
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1 online resource (208 p.) |
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Disciplina |
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Soggetti |
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Church history - Primitive and early church, ca. 30-600 |
Church - Catholicity |
Theology, Doctrinal - History - Early church, ca. 30-600 |
Heresy - History |
Gnosticism - History |
Electronic books. |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Bibliographic Level Mode of Issuance: Monograph |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Contents: Introduction; The gnostic beginnings of orthodoxy; The catholicity of Irenaeus; The foundations of Catholic teaching in the 3rd century; Origen and orthodoxy; The Nicene Council and its aftermath; Apollinarius and the Chalcedonian definition; Epilogue; Bibliography; Index. |
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Sommario/riassunto |
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While it has often been recognised that the development of Christian orthodoxy was stimulated by the speculations of those who are now called heretics, it is still widely assumed that their contribution was merely catalytic, that they called forth the exposition of what the main church already believed but had not yet been required to formulate. This book maintains that scholars have underrated the constructive role of these "heretical" speculations in the evolution of dogma, showing |
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that salient elements in the doctrines of the fall, the Trinity and the union of God and man in Christ derive from teachings that were initially rejected by the main church. Mark Edwards also reveals how authors who epitomised orthodoxy in their own day sometimes favoured teachings which were later considered heterodox, and that their doctrines underwent radical revision before they became a fixed element of orthodoxy. The first half of the volume discusses the role of Gnostic theologians in the formation of catholic thought; the second half will offer an unfashionable view of the controversies which gave rise to the councils of Nicaea, Ephesus and Chalcedon . Many of the theories advanced here have not been broached elsewhere, and no synthesis on this scale had been attempted by other scholars. While this book proposes a revision in the scholarly perception of early Christendom, it also demonstrates the essential unity of the tradition. |
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2. |
Record Nr. |
UNINA9910828827003321 |
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Autore |
Di Muzio Tim |
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Titolo |
The 1% and the rest of us : a political economy of dominant ownership / / Tim Di Muzio |
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Pubbl/distr/stampa |
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London, England : , : Zed Books, , 2015 |
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[London, England] : , : Bloomsbury Publishing, , 2021 |
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ISBN |
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1-350-22291-7 |
1-78360-145-0 |
1-78360-142-6 |
1-78360-144-2 |
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Descrizione fisica |
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1 online resource (258 p.) |
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Disciplina |
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Soggetti |
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Wealth |
Distribution (Economic theory) |
Political economy |
Sociology & anthropology |
International relations |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Note generali |
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Description based upon print version of record. |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Front Cover; About the Author; Title Page; Copyright ; Contents ; Tables and Figures ; Dedication ; Introduction: Towards a Global Political Economy of the 1% ; Political Economy and the Elite ; The Main Arguments and Structure of the Book ; 1: The Unusual Suspects: Identifying the Global 1%; The Professor and the Prince ; Income and Wealth: A Primer; A Taxonomy of the Global 1% ; Holding Wealth ; The Geography of the 1% ; Billionaireville ; The Rest of Us ; 2: Capital as Power and the 1% ; A Brief Genealogy of the Term 'Capital' ; Corporate America and the Rise of Capitalisation. |
Capital as Power The Capitalist Mode of Power ; The Architecture of Capitalisation ; 3: Wealth, Money and Power ; A Brief History of Wealth before Political Economy ; Mercantilism ; The Birth of Classical Political Economy ; The General Theory of Money, Energy and Power ; 4: Differential Consumption: The Rise of Plutonomy; The Global Plutonomy ; Conspicuous Consumption in the First Gilded Age ; Differential Consumption in the New Gilded Age ; 'The Rich are Destroying the Earth' ; 5: Society versus the Superman Theory of Wealth; From Hobbes to Locke's Theory of Ownership. |
Rousseau, Bentham and Mainstream Economics Veblen's Political Economy ; Unjust Deserts ; The Distribution of Wealth and Capital as Power ; 6: The Party of the 99%: Resistance and Future Prospects; Occupy in Context ; Five Reasons Why Present Trends Will Likely Continue ; Ten Priorities ; Creativity, Power and the Meaning of Life ; Notes ; Bibliography ; Index ; Back Cover. |
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Sommario/riassunto |
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The first historically informed, theoretically rich and empirically detailed study of what Occupy has called the 1%. |
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3. |
Record Nr. |
UNINA9910502657503321 |
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Titolo |
Humorality in Early Modern Art, Material Culture, and Performance / / edited by Amy Kenny, Kaara L. Peterson |
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Pubbl/distr/stampa |
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Cham : , : Springer International Publishing : , : Imprint : Palgrave Macmillan, , 2021 |
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ISBN |
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Edizione |
[1st ed. 2021.] |
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Descrizione fisica |
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Collana |
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Palgrave Studies in Literature, Science and Medicine, , 2634-6443 |
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Disciplina |
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Soggetti |
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European literature - Renaissance, 1450-1600 |
Europe - History - 1492- |
Drama |
Medicine and the humanities |
Culture - Study and teaching |
Performing arts |
Theater |
Early Modern and Renaissance Literature |
History of Early Modern Europe |
Medical Humanities |
Visual Culture |
Theatre and Performance Arts |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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Introduction -- Part I: Performing the Humoral Body -- Like Furnace: Sighing on the Shakespearean Stage, Darryl Chalk (University of Southern Queensland) -- Performing Pain, Michael Schoenfeldt (University of Michigan) -- Humoral Style(s), Robert Stagg (University of Oxford) -- A ‘dummy corpse full of bones and entrails’: Staging Severed Heads in the Early Modern Playhouse, Amy Kenny (University of California, Riverside) -- Part II: The Humorality of Objects. ‘Having no heart’: the Humorality of Toys and Games, Ariane M. Balizet (Texas |
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Christian University) -- The Virgin Queen’s Mettle: Metallic/Medallic Portraits of Elizabeth I, Kaara L. Peterson (Miami University) -- Passions, Fruits, and Botanical Paintings, Amy L. Tigner (University of Texas, Arlington) -- Part III: Humoral Pursuits -- . Seeing Saints in the Forest of Arden: Melancholic Vision in As You Like It” Kimberly Rhodes (Drew University) -- A Familist Portrait: Negotiating Classical Geohumoral Discourse in the Theatrum Orbis Terrarum, Paul Babin (Northeastern University) -- ‘Great Annyoyance to Their Mindes:’ the Humors, Intoxication, and Addiction in English Medical and Moral Discourses, 1550 to 1830, David Clemis (Mount Royal University) -- Afterword, Gail Kern Paster (Director Emerita, Folger Shakespeare Library). . |
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Sommario/riassunto |
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Humorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and performance within the early modern period. To uncover how humoralism shapes textual, material, and aesthetic encounters for contemporary subjects in a broader sense than previous studies have pursued, the project brings together three principal areas of investigation: how the humoral body was evoked and embodied within the space of the early modern stage; how the materiality of an object can be understood as constructed within humoral discourse; and how individuals’ activities and pursuits can connote specific practices informed by humoralism. Across the book, contributors explore how diverse media and cultural practices are informed by humoralism. As a whole, the collection investigates alternative humoralities in order to illuminate both early modern works of art as well as the cultural moments of their production. Amy Kenny teaches at University of California, Riverside, USA, and has a PhD in early modern literature and culture. Her first monograph, entitled Humoral Wombs on the Shakespearean Stage (Palgrave Macmillan), was published in 2019. Kaara L. Peterson is Associate Professor of English at Miami University of Ohio, USA. Her books include Popular Medicine, Hysterical Disease, and Social Controversy in Shakespeare's England (2010) and, with Deanne Williams, The Afterlife of Opheila (Palgrave Macmillan 2012). |
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