| |
|
|
|
|
|
|
|
|
1. |
Record Nr. |
UNINA9910797578603321 |
|
|
Autore |
White R. S. <1948-> |
|
|
Titolo |
Avant-garde Hamlet : text, stage, screen / / R. S. White |
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Madison, [New Jersey] : , : The Fairleigh Dickinson University Press |
|
Lanham : , : Rowman & Littlefield, , [2015] |
|
©2015 |
|
|
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (219 p.) |
|
|
|
|
|
|
Collana |
|
Shakespeare and the stage (Fairleigh Dickinson University Press) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Hamlet (Legendary character) |
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Note generali |
|
Description based upon print version of record. |
|
|
|
|
|
|
Nota di bibliografia |
|
Includes bibliographical references and index. |
|
|
|
|
|
|
Nota di contenuto |
|
Aspects of avant-garde -- Avant-garde Hamlet: then and now -- Hamlet as avant-garde text -- Hamlet and avant-garde literature -- On stage: Hamlet and avant-garde theatre -- On screen: Hamlet and film genres -- Epilogue. |
|
|
|
|
|
|
|
|
Sommario/riassunto |
|
Hamlet stands as a high water mark of canonical art, yet it has equally attracted rebels and experimenters, those avant-garde writers, dramatists, performers, and filmmakers who, in their adaptations and appropriations, seek new ways of expressing innovative and challenging thoughts in the hope that they can change perceptions of their own world. This partially explains the uncanny ability of Shakespeare's Hamlet to be "ever-now, ever-new." |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
|
2. |
Record Nr. |
UNINA9910498487603321 |
|
|
Autore |
Taylor David <1946 May 10-> |
|
|
Titolo |
From Mummers to Madness : A Social History of Popular Music in England, c.1770s to c.1970s |
|
|
|
|
|
|
|
Pubbl/distr/stampa |
|
|
Huddersfield, : University of Huddersfield Press, 2021 |
|
|
|
|
|
|
|
ISBN |
|
|
|
|
|
|
Descrizione fisica |
|
1 online resource (452 p.) |
|
|
|
|
|
|
Disciplina |
|
|
|
|
|
|
Soggetti |
|
Composers and songwriters |
Easy listening |
Musicians, singers, bands and groups |
Popular music |
Social and cultural history |
Theory of music and musicology |
History |
England |
|
|
|
|
|
|
|
|
Lingua di pubblicazione |
|
|
|
|
|
|
Formato |
Materiale a stampa |
|
|
|
|
|
Livello bibliografico |
Monografia |
|
|
|
|
|
Sommario/riassunto |
|
From Mummers to Madness surveys the evolution of popular music in England from the mid-Georgian to mid-Elizabethan years. It considers the major socio-economic and technological developments that impacted profoundly on the production and consumption of music, and seeks to explain how popular music both shaped and responded to these changes. |
|
|
|
|
|
|
|
| |