Late modernism : politics, fiction, and the arts between the world wars / / Tyrus Miller [[electronic resource]]

• Record Nr.: UNINA9910496142803321
• Autore: Miller Tyrus <1963->
• Pubbl/distr/stampa: Berkeley, : University of California Press, c1999
• ISBN: 0-520-92199-2; 0-585-07912-9
• Descrizione fisica: 1 online resource (xii, 263 p. ) : ill.
• Disciplina: 823/.91209112
• Soggetti: English fiction - 20th century - History and criticism; Modernism (Literature) - Great Britain; American fiction - 20th century - History and criticism; Politics and literature - History - 20th century; Political fiction - History and criticism; Modernism (Literature) - United States; Modernism (Literature) - English-speaking countries; Politics and literature - English-speaking countries - History - 20th century; English fiction - History and criticism - 20th century - English-speaking countries; Modernism (Literature) - History and criticism - 20th century - English-speaking countries; American fiction - History - 20th century; Politics and literature - History and criticism; Political fiction; English; Languages & Literatures; English Literature; Great Britain Social life and customs 1918-1945
• Lingua di pubblicazione: Inglese
• Formato: Materiale a stampa
• Livello bibliografico: Monografia
• Note generali: Bibliographic Level Mode of Issuance: Monograph
• Nota di bibliografia: Includes bibliographical references and index.
• Nota di contenuto: Part One: Theorizing late modernism -- Introduction: The problem of late modernism -- The end of modernism: rationalization, spectacle, ; and laughter -- Part Two: Reading late modernism -- The self-condemned: Wyndham Lewis -- Beyond rescue: Djuna Barnes -- Improved out of all knowledge: Samuel Beckett -- Epilogue: More or less silent: Mina Loy's novel Insel.
• Sommario/riassunto: Tyrus Miller breaks new ground in this study of early twentieth-century literary and artistic culture. Whereas modernism studies have generally concentrated on the vital early phases of the modernist revolt, Miller focuses on the turbulent later years of the 1920s and 1930s, tracking the dissolution of modernism in the interwar years.In the post-World War I reconstruction and the worldwide crisis that followed, Miller argues, new technological media and the social forces of mass politics opened fault lines in individual and collective experience, undermining the cultural bases of the modernist movement. He shows how late modernists attempted to discover ways of occupying this new and often dangerous cultural space. In doing so they laid bare the ruin of the modernist aesthetic at the same time as they transcended its limits.In his wide-ranging theoretical and historical discussion, Miller relates developments in literary culture to tendencies in the visual arts, cultural and political criticism, mass culture, and social history. He excavates Wyndham Lewis's hidden borrowings from Al Jolson's The Jazz Singer; situates Djuna Barnes between the imagery of haute couture and the intellectualism of Duchamp; uncovers Beckett's affinities with Giacometti's surrealist sculptures and the Bolshevik clowns Bim-Bom; and considers Mina Loy as both visionary writer and designer of decorative lampshades. Miller's lively and engaging readings of culture in this turbulent period reveal its surprising anticipation of our own postmodernity.