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1. |
Record Nr. |
UNINA9910496040703321 |
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Autore |
Bonney Margaret |
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Titolo |
Jean-Roland Malet premier historien des finances de la monarchie française / / Margaret Bonney, Richard Bonney |
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Pubbl/distr/stampa |
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Vincennes, : Institut de la gestion publique et du développement économique, 2020 |
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ISBN |
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Descrizione fisica |
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1 online resource (356 p.) |
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Collana |
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Histoire économique et financière - Ancien Régime |
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Altri autori (Persone) |
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BonneyRichard |
BayardFrançoise |
BonneyMargaret |
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Soggetti |
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Finance, Public - France - History - 17th century - Archival resources |
Historians - France - Archives |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Sommario/riassunto |
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Les finances de la monarchie française constituent, depuis un certain temps, un des sujets privilégiés des historiens de l’Ancien Régime qui les avaient trop longtemps délaissées. A la faveur de ce salutaire engouement, il a semblé judicieux et même indispensable de rendre accessible l’une des sources les plus complètes de l’histoire des finances. Jean-Roland Malet eut une étrange destinée, mais peut-être moins rare qu’il n’y paraît. D’origine modeste, il parvint à mourir noble, riche, et « immortel ». Surtout fut-il de 1708 à sa mort, en 1736, premier commis du contrôleur général des finances. C’est à ce poste qu’il rédigea en 1720 ses Comptes-rendus restés inédits jusqu’en 1789. Ceux-ci, avec une exactitude assez remarquable, retracent les finances de la monarchie depuis le début du XVIIe siècle. Richard et Margaret Bonney ont effectué sur les chiffres de Malet un formidable travail de vérification, de correction et de mise en tableaux et graphiques. Ainsi présentées, les données de Malet permettent de saisir plus facilement les grandes évolutions des finances françaises d’Ancien Régime, l’importance relative des différents impôts, la part qui remontait jusqu’au Trésor Royal... Le présent ouvrage peut à juste titre |
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être considéré comme une somme indispensable à tout historien de l’Ancien Régime. |
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2. |
Record Nr. |
UNINA9910796417503321 |
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Autore |
George Sam, Dr. |
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Titolo |
Botany, sexuality and women's writing, 1760-1830 : from modest shoot to forward plant / / Sam George |
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Pubbl/distr/stampa |
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Manchester, UK : , : Manchester University Press, , 2017 |
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©2007 |
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ISBN |
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Edizione |
[Paperback edition.] |
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Descrizione fisica |
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1 online resource (ix, 261 pages) : illustrations; digital file(s) |
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Disciplina |
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Soggetti |
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Botanical literature - Authorship - History - 18th century |
Botanical literature - History and criticism |
Plants, Sex in |
Women botanists - History - 18th century |
Botany in literature - History - 18th century |
Literature |
Literary Theory |
LITERARY CRITICISM / European / English, Irish, Scottish, Welsh` |
Ireland |
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Lingua di pubblicazione |
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Formato |
Materiale a stampa |
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Livello bibliografico |
Monografia |
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Nota di bibliografia |
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Includes bibliographical references and index. |
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Nota di contenuto |
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List of figures -- Acknowledgements -- Introduction -- 1. 'The Sweet Flowers that Smile in the Walk of Man': floral femininity and female education -- 2. 'Unveiling the mysteries of vegetation': botany and the feminine -- 3. Sex, class and order in Flora's army -- 4. Forward plants and wanton women: botany and sexual anxiety in the late eighteenth century -- 5. 'Botany in an English dress': British flora and the 'fair daughters of Albion' -- Conclusion -- Appendices: Botanical poems by women -- Bibliography -- Index |
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Sommario/riassunto |
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In this fascinating study, Samantha George explores the cultivation of |
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the female mind and the feminised discourse of botanical literature in eighteenth-century Britain. In particular, she discusses British women's engagement with the Swedish botanist, Carl Linnaeus, and his unsettling discovery of plant sexuality. Previously ignored primary texts of an extraordinary nature are rescued from obscurity and assigned a proper place in the histories of science, eighteenth-century literature, and women's writing. The result is groundbreaking: the author explores nationality and sexuality debates in relation to botany and charts the appearance of a new literary stereotype, the sexually precocious female botanist. She uncovers an anonymous poem on Linnaean botany, handwritten in the eighteenth century, and subsequently traces the development of a new genre of women's writing - the botanical poem with scientific notes. The book is indispensable reading for all scholars of the eighteenth century, especially those interested in Romantic women's writing, or the relationship between literature and science. |
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